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2021 Oscars Best Actor Predictions

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2021 Oscars Best Actor Predictions


Variety's Awards Circuit is home to the official predictions for the upcoming Oscars from Film Awards Editor Clayton Davis. Following Academy Awards history, buzz, news, reviews and sources, the Oscar predictions are updated regularly with the current year's contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. Eligibility calendar and dates of awards will determine how long each phase lasts and will be displayed next to revision date.

To see all the latest predictions, of all the categories, in one place, visit THE COLLECTIVE

draft>>>Pre season>>>Regular season>>>Post season

OSCARS forecast for 2021:
Best actor

UPDATED: Apr. 21, 2021

Phase prediction commentary: While Anthony Hopkins won the BAFTA, Chadwick Boseman is enough to win this trophy. The actor, who died of cancer at 43 in August, will follow Peter Finch (“The Network”), the only post-winner in the category. “The Father” by Florian Zeller at Sony Pictures Classics has risen markedly, based on several conversations with voters. The film was supposed to be noisy before the nomination was announced, but it received six nominations, including unexpected categories such as production design and editing. The BAFTA Awards won two awards for the film: Hopkins Best Actor and Screenplay. For most of the season, the Oscars for Best Actor assumed that Boseman received an award he would lose. It may not be as clear as it used to be.

I’ll win: Chadwick Boseman, “Ma Rainey’s Black Bottom”
Can win: Anthony Hopkins, “Father”
Must win: Chadwick Boseman, “Ma Rainey’s Black Bottom”
Should have been here: Delroy Lindo, “Da 5 Bloods”

Senior Leader:
Chadwick Boseman, “Ma Rainey’s Black Bottom” (Netflix)
Award Circuit Winners Chart (2020-2021)
2021 Awards Season Calendar


And the nomination is:

  1. Chadwick Boseman
    "Ma Rainey's Black Bottom" (Netflix)

    THE "OSCAR SCENE"
    "What I care about bad luck? You talking simple. I ain’t had nothing but bad luck all my life. Couldn’t get no worse. What the hell I care about some bad luck? Hell, I eat it every day for breakfast. You dumber than I thought you was, talking about bad luck." - Chadwick Boseman (Levee)

    OSCAR HISTORY: Never nominated
    ROLE: Levee

    DIRECTOR: George C. Wolfe
    SYNOPSIS: Chicago, 1927. A recording session. Tensions rise between Ma Rainey, her ambitious horn player and the white management determined to control the uncontrollable "Mother of the Blues". Based on Pulitzer Prize winner August Wilson's play..
    STARRING: Chadwick Boseman, Dusan Brown, Jonny Coyne, Viola Davis, Colman Domingo, Taylour Paige, Michael Potts, Jeremy Shamos, Glynn Turman


  2. Anthony Hopkins
    "The Father" (Sony Pictures Classics)

    Lazy loaded image

    THE "OSCAR SCENE"
    "No, Mummy. I... I want my mummy. I want my mummy. I want... I want to get out of here. Have someone come and fetch me." - Anthony Hopkins (Anthony)

    OSCAR HISTORY: 5 nominations, 1 win (1991's "The Silence of the Lambs" in best actor)
    ROLE: Anthony

    DIRECTOR: Florian Zeller
    SYNOPSIS: A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
    STARRING: Olivia Colman, Mark Gatiss, Anthony Hopkins, Imogen Poots, Rufus Sewell, Olivia Williams


  3. Riz Ahmed
    "Sound of Metal" (Amazon Studios)

    Lazy loaded image

    THE "OSCAR SCENE"
    "That’s fine Joe. My situations fine. My girlfriends got a rich daddy who can totally front me so I’ll just go ask him. Thought I might skip that humiliating fucking road, but hey at this point, the hell with pride right? No, fuck it. Sorry to ask but. Seriously. This is nothing. You can’t imagine how fucking nothing this is. I’m good man." - Riz Ahmed (Ruben)

    OSCAR HISTORY: Never nominated
    ROLE: Ruben

    DIRECTOR: Darius Marder
    SYNOPSIS: A heavy-metal drummer's life is thrown into freefall when he begins to lose his hearing.
    STARRING: Riz Ahmed, Olivia Cooke, Paul Raci, Mathieu Almaric, Lauren Ridloff


  4. Steven Yeun
    "Minari" (A24)

    Lazy loaded image

    THE "OSCAR SCENE"
    "I will fix everything. Understand? All of this, this backwards place, is something I’m doing for us. If this farm fails, take the kids and leave me for good. I deserve it." - Steven Yeun (Jacob)

    OSCAR HISTORY: Never nominated
    ROLE: Jacob

    DIRECTOR: Lee Isaac Chung
    SYNOPSIS: A Korean family moves to Arkansas to start a farm in the 1980s.
    STARRING: Steven Yeun, Yeri Han, Alan S. Kim, Yuh-jung Youn, Will Patton


  5. Gary Oldman
    "Mank" (Netflix)

    Lazy loaded image

    THE "OSCAR SCENE"
    "Now, along comes Nemesis. That's Greek for any guy in a black hat. Nemesis runs for governor and he's a shoo-in to win. Why? Because
    he's exactly what our Don used to be. An idealist. You get it? Not only that, Nemesis is the same guy who once predicted our Quixote would one day preside over a Socialist revolution. Our Quixote looks into the mirror of his youth and decides to break this glass, a maddening reminder of who he once was. Assisted by his faithful Sancho, and armed with all the black magic at his command he does just this. Destroying in the process not one man, but two...Well, what'd'ya think, Louis? Hmm? You think it'll play?" - Gary Oldman (Mank)

    OSCAR HISTORY: 2 nominations, 1 win (2017's "Darkest Hour")
    ROLE: Herman J. Mankiewicz

    DIRECTOR: David Fincher
    SYNOPSIS: 1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane for Orson Welles.
    STARRING: Tom Burke, Lily Collins, Joseph Cross, Charles Dance, Monika Gossman, Ferdinand Kingsley, Jamie McShane, Tuppence Middleton, Toby Leonard Moore, Gary Oldman, Tom Pelphrey, Amanda Seyfried, Sam Troughton


† = No expected release date / May be delayed / Not eligible
†† = You can campaign in the Lead or Support category / Original or Screenplay category.

Awards (Actor Astronaut Award)

that much Academy Award, Better known Oscar, It is Hollywood’s most prestigious art award in the film industry. The most award-winning films in Oscar history are “Ben-Hur”, “Titanic” and “The Lord of the Rings: The Return of the King” in 11 statues. The most nominated films in the history of the Academy are “All About Eve”, “Titanic”, and “Lara Land” (14 years old). “Lara Land” is the only film that has lost its best picture of the three. The biggest Oscar “loser” means the most nominated and zero-winner, and is “The Turning Point” in 1977 and “The Color Purple” in 1985 (11 points each). Daniel Day-Lewis has the most wins in this category with three, with Marlon Brando, Gary Cooper, Tom Hanks, Dustin Hoffman, Fredric March, Jack Nicholson, Sean Penn and Spencer Tracy all having two each. Tracy and Lawrence Sir Olivier were the most nominated for the category with nine. Henry Fonda is currently the oldest winner at “On Golden Pond” at 76, while Richard Farnsworth is the oldest candidate at 79 at “The Straight Story.” Adrien Brody is 29-year-old “The Pianist” youngest ever winner, and Jackie Cooper is 9-year-old “Skippy” youngest ever nominee.


Academy Awards Predictions (all categories)

Golden Globe predictions for 2021 (movie)

2021 SAG Awards Predictions (Movie)


Academy Awards (Oscar) Information

that much Academy AwardBetter known as the Oscar, is Hollywood’s most prestigious art award in the film industry. From 1927, candidates and winners are selected by members of the Academy of Motion Picture Arts and Sciences (AMPAS). About 10,000 members out of 17 branches are represented. The branch consists of actors, colleagues, casting directors, cinematographers, costume designers, directors, documentaries, executives, film editors, makeup and hair stylists, marketing and public relations, large members, large members (artist representatives), music, producers, production design , Short films and feature animations, sounds, visual effects and writers.

  • The Oscars are scheduled for Sunday, April 25, 2021.

Golden Globes Information

that much Golden Globe AwardsHosted by the Hollywood Foreign Press Association, has been held annually with 93 members since 1944. The group recognizes film and television excellence in dramas and comedies or musicals. Damien Chazelle’s “La La Land” holds the record for winning the most awards in a single film with seven. Milos Forman’s “One Flew Over the Cuckoo’s Nest” and Alan Parker’s “Midnight Express” are six each side by side. Robert Altman’s “Nashville” was the most nominated in 11 films, Colin Higgins’ “Foul Play”, Francis Ford Coppola’s “The Godfather Part III” and Mike Nichols’ “Who’s Afraid of Virginia Wolf?” It shares the record with the most nominations and has not won a single award in the 7th.

  • The Golden Globe is scheduled for February 28, 2021.

SAG Awards Information

that much Film Actors Guild AwardsHosted by SAG-AFTRA, is an annual awards ceremony that has become one of the most important and key indicators of the Oscars. Four films, including “American Beauty” in 1999, “Chicago” in 2002, “The Help” in 2011, and “Three Billboards outside Ebbing, Missouri” in 2017, won the most SAG awards. Three films, “Shakespeare in Love” in 1998, “Chicago” and “Doubt” in 2008, have won the most SAG awards.

  • The SAG Awards will be held on Sunday, April 4, 2021.





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Action, out-kick takeover highlights the craze for sports betting

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Action, out-kick takeover highlights the craze for sports betting


As the United States soon enters its fourth year as a country where sports betting takes place, Anymore With national bans, publishers with the sports betting industry are becoming increasingly attractive M&A candidates.

You can just look at last week’s deal making activity. Denmark-based sports betting media group Better Collective Consent to acquisition $240 million Action Network, Fox Announcement It took over the conservative sports news site Outkick for an undisclosed amount.

A little different, but still notable, the 5-year-old subscription-based sports site The Athletic, which publishes sports betting content on relevant tracks, is still looking for a merger partner, WSJ. Declaration Last Thursday. The sports pub is said to see NYT as a major candidate for a merger.

It is clear why digital sports betting content is increasing in value. More states legalizing sports betting will help drive new readers to gambling content entities (e.g. The Action Network). Then you have a larger pool that could potentially generate affiliate commissions (by recommending bettors to the sportsbook).

As the legalization of sports betting increases, the number of US consumers willing to pay monthly subscriptions to sports betting content has increased.

21 states and DC as of May 7th permit Single game sports betting through retail and/or online sportsbooks according to the American Games Association (AGA).

Legalized sports betting has long encouraged trading in the media space. Thin size What is likely to support this interest in the illegal gambling market is the fact that the pandemic has not completely undermined the growth of legalized sports betting.

Seven of the 11 states that offered legitimate sports betting in 2019 and 2020 saw a year-over-year increase (YoY) from last year’s bets under the AGA.

Meanwhile, online gambling advertising spending on local TV commercials has reached nearly $155 million in the first quarter of this year from around $11 million in early 2019. Nielsen.

This momentum has already emerged before last week through the media company-sports betting corporation partnership. DraftKings acheive VSiN, a Las Vegas-based sports betting media company, launched in late March, and Dish Network and DraftKings earlier this month. partner A deal that allows certain Dish viewers to start betting on the TV screen.

These deals are based on the idea that legitimate U.S. sports betting activity will continue to grow in the future. However, this growth in gambling can be better tracked by things like gambling app usage and betting amount rather than linear TV sports viewership.

For example, the average audience for NBA and NHL games declined 27% and 8% between 2019 and 2021, respectively, VIP analysis Recently melt.

While big matches are broadcast nationwide, the downgrade shouldn’t be associated too much with sports betting as betting is not legal in all states. However, the decline still means that legalized bets may not be the rating savior. Some hoped Can it be.

Meanwhile, a recent VIP analysis of Sensor Tower data showed that usage of the nation’s largest sports betting app surged during AFC/NFC Championship Week and Super Bowl Week.

Perhaps that’s why we’ve seen more sports leagues accept sports betting lately. View UFC-DraftKings in March deal and Recent statement NFL Commissioner Roger Goodell described sports bettors.

Leagues and sportsbooks will become more common as more states legalize sports betting. By 2023, up to 37 states can offer legalized sports betting. project Eilers & Krejcik.

However, a notable obstacle to accelerating sports betting activity is ensuring convenience by doing things like activating mobile betting in states where betting is legal.

Despite this seemingly obvious path to boosting gambling revenue, lawmakers in certain states may oppose making sports betting as widely accessible as possible. Contribute to Gambling addiction Among young adults.

The future for the US sports betting environment is one of the main focuses: Variety Intelligence Platform’s latest white paper “Sports Betting”. This white paper is VIP’s third in-depth sports betting focused survey that analyzes the impact of sports betting legalization and how media companies capitalize.

Read the full text of the special report





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Julia Louis-Dreyfus on Missing Playing Selina Meyer in’Veep’

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Julia Louis-Dreyfus on Missing Playing Selina Meyer in'Veep'


Julia Louis-Dreyfus is one of six creative leaders in comedy. VarietyThe power of women in 2021. Click here for more information.

For 30 years, Julia Louis-Dreyfus has created an Emmy-winning character, a landmark of women in popular culture. Her Elaine Benes from “Seinfeld” is your terrible old friend. Her Selina Meyer in “Veep” definitely to be. Louis-Dreyfus was a political activist, especially as Joe Biden’s deputy ahead of the 2020 elections. “It surprised me,” she said in a recent Zoom interview. And as of January 2020, she has earned the status of a tycoon by signing a multi-year overall contract with Apple. Under the terms of the contract she will of course produce, but most of them are looking for great material for herself, she says. In both comedy and drama, the latter has done less over the years. “A great idea isn’t a simple fruit. I’m like one of those pigs looking for truffles,” he adds with a smile.

Sophy Holland for Variety

Surprisingly, Louis-Dreyfus appeared in Disney Plus’s’The Falcon and the Winter Soldier’ ​​as Contessa Valentina Allegra de Fontaine, a Marvel comic book super villain often known as Madame Hydra. It was the strict secret that ignited the Internet, which sparked enthusiastic speculation about the future of Louis-Dreyfus’ high-heeled (and high-heeled) character. no It was made to walk” was the first line to steal her scene. Will the audience be able to see Louis-Dreyfus in “Black Widow” in the Marvel-Disney Plus series “Secret Invasion”? Or is it possible to see the symbolic character elsewhere where it can logically appear? Under the complete Marvel confidentiality agreement, she only said, “I always wanted to do Contessa and the Marvel Cinematic Universe made it possible.” No, she can’t provide more detailed information.

Since March of last year, Louis-Dreyfus has been “in motion” with a focus on family well-being. Particularly focused on keeping her 92-year-old mother-in-law “safe and happy”. She reads a lot with an eye for development and enjoyment, and every week at the CAA, she meets with team members who “try to find tireless material” for her. She is the French spy thriller “The Bureau” (“Oh, my God, it was so Good”) To inspire her, she relied on the New York Times Cooking app to cook countless dinners (“Lord Jesus, do I love this app”). If reading, cooking, and watching TV sound like regular COVID-closing activities, the year of Louis-Dreyfus included campaigns and fundraising for Biden, Democrats denying votes, and the Georgia US Senate Finals “full-time part-time job,” she said. “I think the Republican Party has lost its mind. This is no longer Reagan’s party.”

Breast cancer survivor Louis-Dreyfus was diagnosed in September 2017 when she tried to start filming the last season of “Veep,” which she pushed until the end of treatment. Her decisive response to the COVID treatment was “immediately”. . “Oh,” she remembers thinking. “I could see this get me.”

“I had no arrogance about this. When you face your death in the way that cancer takes you there-I strangely found the same plague.”

Experienced with cancer changed Louis-Dreyfus’ perspective, and now at the age of 60, she is rethinking the rest of her life. What I want to do with my 34-year-old husband, Brad Hall (“Travel”), and where she wants — she says “near my kids” about her son (now in her 20s). But what she calls “life is short” doesn’t apply to her work. By the way, she was vaccinated and is ready to resume. “I’m just thinking about a project with real meat in the bones,” she says. “Here’s a pretty high standard.”

Asked if he would potentially rethink his past role, Louis-Dreyfus said, “Do you know who I miss? I miss playing Selina Meyer.” Yes, “actor, writer, crew-everyone” was lost. She speaks of the HBO comedy that ended in 2019 after seven seasons. But most of the time she misses how “interesting” Selina is. “It was so inexperienced in her damn mind to play that character. It’s just freed! It was all about her self, and she had no interest in other humans.”

The series finale of “Veep” ended at Selina’s funeral. But if she wants to get the gang back together, there are certainly decades between me. Will it?

“Yes! Doing more’Veep’ will be a great joy,” says Louis-Dreyfus, “and who knows, we will someday.”


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Maya Rudolph, Burnout, Beyoncé and comedy career

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Maya Rudolph, Burnout, Beyoncé and comedy career


Maya Rudolph is one of six creative leaders in the comedy segment. VarietyThe power of women in 2021. Click here for more information.

As a child, Maya Rudolph created a makeshift stage to satisfy her performance itching, setting a girl’s musical in the living room as a child and playing, believing in the empty corners of her mother’s recording studio. But about 40 years later, she has become truly overwhelming with so many platforms to choose from.

“Before I thought about quarantine, I felt very exhausted,” she admits. “I’ve been doing weirdly well in the middle of the renovation work and I think I’m still there. I am not ashamed to admit that I want to go a little slower.”

Prior to the pandemic, Rudolph received a firm reservation. She once again starred “SNL” in the role of then Senator Kamala Harris, and who played Goofy’s Almighty Jury in “The Good Place”, she was voted one of the show’s most memorable guest stars. . Her flexible voice has become commonplace in the wide animation world. Particularly in Netflix’s “Big Mouth” portraying a delightful and filthy “hormone monster”, demonstrating her ability to change a single phrase (eg “bubble bath”). As a sweet dessert (eg “bwuuuuhbble bayaaaath”).

Sophy Holland for Variety

All three of these roles were nominated for Rudolf Emmy and won the first two titles in 2020. (The only reason she lost a third was because she was nominated twice in the same category.) But the constant flow of duty exhausted and burned her. As often as possible, with her own passion for being part of as much work as possible. “I was saying’yes’ to everything,” she sighed. “It took a toll and I was tired.” So when the opportunity came for her to brake, she thankfully did so.

At her home in Los Angeles a week after hosting the second “SNL”, Rudolph is contemplating this potential turning point in her life and career. “What makes me feel happy, what makes me unhappy, and how do I set those boundaries?” She explains. On a macro level, it could mean she does fewer projects, even if she loves everyone involved. On a smaller and more immediate level it could mean wearing what she wants.

“Hills and I are already out, but now we have gone a different way. It’s okay for me,” laughs Rudolph. “And I no longer have a waist. My thighs haven’t seen my trouser legs for a year. I will be Elaine Stritch and wear a shirt.”

With Zoom, Rudolph already seems to be completely satisfied with this spirit. Her peculiar voice has been turned down from 11 o’clock, she blinks into the zoom camera through her clean glasses, and her puppy Daisy is curling her knees. And while her floral coveralls aren’t the crunchy white button-downs that Stritch became famous for, Rudolph is inspired by brass broads like her for sticking to herself, but the expectations are cursed.

Take Rudolph’s comedy idol Madeleine Kahn. She is a funny woman full of power, arm-to-arm with impeccable charm along with the ability to make every line stand out. Grown up with the Mel Brooks movie, Rudolph will watch in awe how Kahn surpasses everyone else as a film noir heroine coming up from a clean Cadillac in a hasty empress, weary wife, and matching jumpsuit. As Rudolph put it, you didn’t have to know exactly what Kahn mimicked in order to know that Rudolph was “a beautiful woman who does a pleasant job.” Later, as she got to know more comedians like Catherine O’Hara, Gilda Radner and Jan Hooks, she realized that this comedian’s niche was her ideal. “I’ve been seeing these glamorous and hilarious women I’ve ever wanted to be, whether I’m enlightened or not, and that’s the ultimate combination of perfection for me,” she says. “They can do anything.”

And once again, Rudolph has partially turned into a less compelling comedy, such as many of the scenes from “The Bridesmaid” that made the movie so striking 10 (!) years ago. While her infamous “Poop on the street“The moments were mostly stressful. you Get on your knees in a wedding dress across the crowded lane. She fondly remembers the setting of everyone who sweats from food poisoning before all hell is released. “What’s coming, everyone knows they have to hide it, and it’s constantly scattered on everyone in the multi-level intimidation stage. It was a really fun slow burn,” she recalls with a laugh. (Along with “the bridesmaid”, most of all, Rudolph remembers laughing.)

She grew up with a keen eye for what makes performers great. Especially because of her childhood, she saw her mother, singer Minnie Riperton, dazzle the crowd on tour. She wanted to do the same, seeing musicians break through sets with wit and wit. “And then I see something fun like a movie or a comedian and I think I want to be that way too,” she adds. “It wasn’t really visible to understand what it was, but it was a bit of a magical trait.” She came to worship the indescribable connection between music and comedy: the two creative forces that define her life. “Oddly enough, it’s the same language,” she explains. “If you do both well, you can’t really learn. Whether you are good to them or not.”

Rudolph will have a musical comedy opportunity like never before with his role as the juicy villain in “Disenchanted”, the highly anticipated sequel to Disney’s “Enchanted”. Amy Adams appears as a wide-eyed princess sailing modern New York. In a follow-up call the day after reading the table, Rudolph erupted about the lively “school play” atmosphere of the film and the delicious delights of acting as a villain in a “Dynasty” class camp. (“It’s really dramatic!”)

“If it was 15 years ago and someone asked me if I wanted to be a bad person, I would have answered’Oh, I don’t know’,” she says. “But I’ve found that the funniest thing I can do over the years is when you play The Most.” She also talked about how happy it was to find out that director Adam Shankman approached her for her role and knew exactly why he wanted her. “It’s great to be in a job where I feel like I can tell myself a lot of what I’ve done, so I don’t have to explain who I am or what I do.”

As anyone who has seen her performance for a while will know, Rudolph’s comedy is musical in nature. Whether it’s Beyoncé, Bronx mom, or a dizzying game show host, all of her characters talk to a contagious and uniquely bizarre guy while Rudolph’s wraps up her lines. In particular, her Beyonce impression was almost second nature. Rudolph, an avid fan, says when Beyonce’s time to imitate himself “when talking about a friend, and when speaking, speak in their voices what they said.”

Rudolph’s technique of distorting a word into a cascade of surprisingly strange sounds is second to none. She doesn’t have to make funny jokes. So, it’s not surprising to learn that Rudolph is the most comfortable in the voiceover booth. She has been able to experiment since serving the “SNL” on the commentary she needed that week. “Perhaps what I feel most about is not the camera or the musician, but a mix of the two,” she mutters. It’s also thrilling that she can step out of her body and be anything without limits. In “Big Mouth”, for example, she describes everything from hormonal monsters to school principals to dirty pillows. “It really feels like a free place,” she says of her prolific voiceover work. “You are not limited to anything made up of males, females, humans, animals, monsters, etc. It’s a place I feel very comfortable with.”

It is inevitable that Rudolph spends his life as a comedy and as a person contradicting the categorization. “Neither white, nor black, not mixed, but a special mix of my own Jews, big nosed mottled… I have always identified myself as being very unique and not belonging to any club.” She says. Although scrutiny has gone under her skin, now she reminds herself that other people’s attempts to label herself say more about herself than she does. “People really try to figure out who you are and what you are. them It’s comfortable.” She claims to be as powerful as the power that can be gained through conversation. “It has nothing to do with me.”

And that’s also where she ultimately comes to the old question of what it’s like to be a woman in a comedy. She harassed her in “SNL” and reappeared when “The Bridesmaid” dared to notice a funny woman who didn’t have a qualifying round. Very few men). When asked if the conversation has changed at all since then, she is on the lookout in a way that makes it clear how many times she had to go down the path she was truly frustrating. “As opposed to systematically thinking about my gender to be fun or not, I feel it’s my duty to keep doing what I do my best,” Rudolph shrugs. “I don’t care about that stuff.”

As Daisy climbs from her lap, Rudolph sighs and adjusts her glasses. It seems as if she’s making sure she can see enough of the next point. “It’s fun, because the moment you step into the conversation, you feel that the conversation can exist. This remaining conversation won’t die.” She rolls her eyes, pokes her eyebrows and releases the ghost of a smile. “Actually we had a great party and someone came in and said,’Wait, this is Girls‘party!’ And it’s like’uh, what are you talking about? It’s just a party. ‘”

The problem of women’s power in 2020 Variety I spoke with several women in the entertainment industry who use their voices for a worthy cause. Click here for more information.


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