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Grammy Chief Executive Officer Discuss Elimination of’Secret’ Nominating Committee



Grammy Chief Executive Officer Discuss Elimination of'Secret' Nominating Committee

The music industry was shocked when the recording academy almost completely eliminated the controversial “secret” committee that had been deciding the final list of Grammy nominees for decades in most categories, including the “Big Four” general field for the album last Friday. You can say that you have received. , Song, Record of the Year and Best New Artist.

The committee (working on a list of key candidates of approximately 12,000 voting members) consisted of industry executives and experts whose names were not disclosed. They received fierce criticism before 2021 Grammys when Weeknd, who had the most critical and commercially successful recordings in years with their “After Hours” album and “Blinding Lights” singles, was never nominated. Weekend said he would boycott the Grammy later because of the committee. (There are still nominating committees for several specialized “craft” categories, such as Producer, Packaging, and Liner Notes. Read more about the announcement here.)

While the Weekend controversy almost undoubtedly influenced the decision made by 44 members of the Academy’s Board of Directors, the interim recording academy chairman and CEO Harvey Mason jr. They say that the process has actually been going on for months. Late friday he Variety We will talk about the decision, its reasons and its ramifications, and the possibility of a new Chairman/CEO being decided at the Academy’s main board next month. This move marks the end of a noisy and transformative attitude for Mason, whose predecessor Deborah Dugan unexpectedly took on the role along with his role as chairman of the board after only eight months of controversy at the meeting. Work. Not only did Mason lead the academy through two Grammy Award shows, but they also worked to increase diversity with the coronavirus pandemic, which witnessed the academy’s charity MusiCares distributing more than $22 million Covid relief to the music community. . At least the removal of the nomination review committee.

Many were surprised by the decision to remove the commission. What does it look like?

When I decided to run for chairman, I thought we could do better, improve, and change with all the amazing work we did. One of them is improving voting and removing it through nomination review. . I just felt our voters evolved and the voting agency graduated so we didn’t need that extra layer. That’s what we’ve been working on since at least June. [2019], About eight months ago when I was appointed chairman, we started a subcommittee to investigate what it means to remove the nomination review committee, and how to organize voting and change the process. They came back with a recommendation a few months ago, it went to the A&N committee, I really liked the solution and voted to pass it, and today we took it to the trustee room and passed it in an exciting way.laugh).

How big was the victory?

I think it’s a landslide.

Do you think the 2021 nomination Weeknd influenced that decision?

The debate on the possibility of dropping candidate reviews began a long time ago, and the actual work of forming a subcommittee to address this issue began about 8 to 9 months ago, so this is not a direct “response” to the situation. That said, whenever an artist, especially one of its statures, questions our process or thinks something is unfair, the Academy will of course be affected and we want to work to make things better. I think sentiment towards the academy has evolved over the past 12 months. From the end of last year’s show, momentum seems to have risen.

One important thing to understand is that this happened with and with our membership change. And if we weren’t sure about us, we would have been ready or couldn’t get rid of the nomination review board. Membership and Retention of Qualified Voting Members — Requalify voting members. By the end of this year, 95% of voting members will be requalified. In the past, we’ve accelerated our revalidation program so that if you pay annual dues you can continue to vote, and people who vote to become professionals, not hobbies, rather than people who haven’t published music for 20 years. , That’s over. Above all, I think it influenced the trustee’s decision. The committee served us well in certain ways, and in other ways it had to change, and now it feels like the right time. We believe we have the most qualified voting agency in the history of the Academy.

But the weekend situation Affected Is this decision not a reaction to him?

I believe that everything that happens during the year affects the way members and boards vote. Remember that the organization is driven entirely by its members. These decisions are not made in a vacuum. Has Weeknd influenced someone to think this would definitely need to be changed? I can’t guess, but I know it remains relevant and at the forefront of music is the goal.

How does the new system work? Are there still two stages of voting for candidates, sort of final and final choice?

There are two steps to voting. It is difficult to predict how many people will decide the nomination due to the “10-3” voting change. [“To ensure music creators are voting in the categories in which they are most knowledgeable and qualified, the number of specific genre field categories in which Grammy Award Voters may vote has been reduced from 15 to 10. Additionally, those 10 categories must be within no more than three Fields. All voters are permitted to vote in the four General Field categories (Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist).”]

This means that everyone can vote in the general field. A certain percentage of about 12,000 voters will vote, and that percentage will directly determine who the candidate is in the general field. Then, outside the regular field, you have three fields to choose from, and you can vote in 10 categories in that field. So we reduce the number of votes from people who think they are experts in the field, such as pop, R&B, and hip-hop. So, depending on the number of categories you choose to vote for, the number will continue to decrease. This is a genre that the world’s largest pop artist has created folk albums, especially in a genre that people who stop “vote grazing” or follow their favorite artists really don’t know.

So now, is the number of people deciding on the list of finalists for the category decided by the review board from 12 to thousands?

Yes, the final decision lies with thousands of people, not the nomination review board.

Why are 95% of members requalified? Who is 5%?

I’m not sure specifically, but I think it must have been a member of less than 5 years now because I have to re-qualify every 5 years now.

And in general, what are the criteria for recertification of qualifications?

You have to publish music over the past 5 years and receive a certain number of credits.

Why did you have this special meeting and announced the removal of the committee before the plenary session?

There are two answers. First, the trustee meeting in May is so dense that we have so much material to deal with that it’s virtual and spanning over a few days. But the main reason was that we had the Awards & Nominations committee meeting and we wanted to make sure that it gets forwarded to the trustee as soon as possible so that this process can continue and to inform the label. It also provided the ability to extend the eligibility period by an additional month. [Sept. 1, 2020 through Sept. 30, 2021; the previous year it ran from Sept. 1, 2019, to Aug. 31, 2020], I felt it was important at Covid. I didn’t think the abbreviated qualifications were fair or reasonable, I didn’t want to shorten this awards season, and the artist had to push the release into a 10–11 month cycle. This conference has brought several historical changes to the academy.

Will a new president-CEO be elected at next month’s meeting?

I think the answer is yes. The search company narrowed down the nominations. Candidates are expected to meet with trustees this month, and a decision will be made in the end of May or the first week of June.

Over the past year, the academy’s tone has changed. By the time Deborah Dugan was ousted, it was very militant and defensive. Not now. What’s up?

I think it’s a very conscious decision everyone has made. The time has come for the academy to become more self-aware and better partners in the industry, and it has had to work to win the trust and respect of the music community, and I think that change began about a year ago. Good things have happened and we feel we have more to do.

MusiCares donated a lot of Covid relief money to the community last year, do you think it’s important to ask for an update there?

I don’t want to steal Laura’s show. [Segura, new MusiCares director], But I am excited and optimistic about what they are working on. They work closely with the Black Music Action Committee and try to diversify our services as much as possible. It seems to have passed 30 million dollars. table [in distributing aid money to music people] That’s about 10 times what you usually do in a year.

Finally, with these new rule changes, it is more important for Recording Academy voting members to actually vote.

Oh, too. We are working hard to raise awareness of the importance of voting. You can pick the world’s most impressive peer vote awards in the music category, and it’s very important to get your membership involved, especially as nomination reviews are removed. Community and genre. It has an impact if the country or the classic or rap community doesn’t appear to vote. We’ve heard complaints in the past about who voted or didn’t vote, who won or not. Now is your chance to put everything aside and all come to the table.

Originally reported by Source link

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Central Partnership, BF Films Partner on Horror Film ‘Schizophrenic’



Central Partnership, BF Films Partner on Horror Film 'Schizophrenic'

Russian production and distribution powerhouse Central Partnership and Latin American film group BF Films announced their first co-production. Variety can be exposed.

“Schizophrenia” is a psychological horror film set in the real world of a serious mental disorder. Dark stories from real patients will be inspiring, and various schizophrenic symptoms, including conspiracy theories and altered reality perception, are part of the script.

The story was created by JP Jacobsen and the script is being written by Hernanny Perla (“Blink, “Revelation”, “Santería”), who has appeared twice on Hollywood’s blacklist. Perla is represented by Verve, Anonymous Content and attorney Marios Rush.

The film’s director and cast is currently scouting and will be announced in the coming months. The project will be filmed in English by an international team working in Russia at the end of 2021 or early 2022. Executive producers include Carlos Hansen, Partner and CEO of BF Films, Juliana da Cunha Jacobsen, Partner and Head of Acquisitions at the company, and Vadim Vereschagin, CEO of Central Partnership. .

“For over 15 years, we’ve been looking for the world’s best film projects and distributing them widely in Latin America,” Hansen said. “We know what works on our territory. Now is the time to work with our favorite international partners to develop and produce BF’s projects for the global market.”

Jacobsen said, “’schizophrenia’ is a vivid example of what BF Films is pursuing. “We all know that the horror genre is exploding around the world, and the challenge is to do something fresh to stand out in a complex market. This story has an interesting premise, two iconic female protagonists, and a lot of creative potential that we are sure will attract world-class talent.”

The film is distributed in Latin America by Central Partnership in Russia and BF Distribution. The company is also working as a partner to sell rights to other territories.

Vereshchagin said, “We are excited to start a new chapter in the history of Central Partnership and to start a joint project with our outstanding partner BF Distribution, one of the largest independent content distributors and creators in Latin America.” “’Schizophrenia’ makes a strong statement and is perfectly positioned to be a successful horror film. This story appeals to one of the most relatable human fears. It will be understood and felt by a wide audience not only in Russia and Latin America, but also around the world.”

The project was announced at the Key Buyers Event held online from June 8-10. Also on the slate of the Central Partnership during the KBE is “The World Champion” (pictured), a drama based on the legendary 1978 chess match between Soviet world champion Anatoly Karpov and dissident Viktor Korchnoi. the 1920s drama “December”, which follows the last days of Sergei Yesenin, a famous Russian poet and American dancer in love with Isadora Duncan; ‘Row 19’ is a psychological thriller centered on a young doctor and a 6-year-old daughter who is caught in a storm by her 6-year-old daughter on a red-eye flight.

Originally reported by Source link

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‘Love, Victor’ Season 2 Captures Parents’ Struggle to Accept Gay Son



'Love, Victor' Season 2 Captures Parents' Struggle to Accept Gay Son

Spoiler warning: Don’t read if you haven’t seen season 2 of “Love, Victor” streaming on Hulu right now.

The second season of ‘Love, Victor’ (a spin-off series on the 2018 groundbreaking feature ‘Love, Simon’) begins where Atlanta teenager Victor Salazar (Michael Cimino) tells his parents he’s gay, where the first stops. Start. . After waiting a year, audiences will finally see how Armando (James Martinez) and Isabel (Ana Ortiz) react to their son’s announcement.

no scary – No tears or screams, no accusations or rejections. But at first, neither parent accepts who Victor is. Armando at least awkwardly asks about his girlfriend (i.e. an attempt to convince him that Victor can be with a girl) and wonders out loud when he decides he’s gay.

But Isabel remains silent. When Victor finally asks her to say something, she whitens.

“Well, I think I should get some rest,” she said, barely listening. “And we can talk about it tomorrow.”

When the episode ended 10 weeks later, Victor and Isabel still hadn’t talked about it. As the season begins, Armando attends a meeting of the local chapter of the LGBTQIA+ alliance support group led by Simon’s father Jack (Josh Duhamel), working to understand his son, while Isabel tries to accept the fact that Victor is gay. really struggling for

Co-showrunner Brian Tanen said, “It’s dishonest when he comes out and everything goes well. “In 2021, parents just want to hug their children and say that everything will be fine. But our job on this show was to tell a different opening story than what Simon had in the movie.” – Simon’s parents understood and embraced him almost immediately.

“Love, Victor” shows a different course, which is a bit more subtle. When Victor begins his first same-sex relationship with boyfriend Benji (George Sheer), Isabel doesn’t spend time with Benji, not to mention flinching and admitting that she’s dating her son.

Ortiz said about Isabel’s arc in season 2, “It’s going to sound a little weird, but I was actually a little excited when they told me,” Ortiz says. “It was really exciting to play. It was really different.”

In the stories that usually come up, a mother is someone who understands and is committed to her LGBTQIA+ children. Ortiz played the role perfectly as Hilda Suarez, fiercely protecting her young gay son Justin (Mark Indelicato) in ABC’s beloved telenovela “Ugly Betty.” So she enjoyed the twist.

“I thought Continuously” Ortiz says about the difference between Hilda and Isabel. “They are two sides of the same coin, right? Hilda will fight anyone who sees Justin in the eye. Isabel, on the other hand, thinks people are too clingy to her, her family, and to thinking of her as a mother. ‘How can you raise a gay son? If it were me, I wouldn’t make him gay. ‘ I’ve heard quite a bit from people in my community. ‘I do not know, no — Say he can’t be gay. Tell her you can’t do that. ‘”

Ortiz saw these dynamics at work within his family. She conveys how her late cousin Freddy devoted herself to her paternal grandmother Ramona, even though for a long time Ramona could not accept the fact that Freddy was gay. That dynamism helped inform Ortiz’s understanding of why it took Isabelle so long to support Victor.

“She’s not a monster,” Ortiz says. “She loves her son and loves her family. The road that got me in was to think about Freddie and Ramona and how much we all loved her in spite of its flaws. She was still there for Freddy, but there was always a little thing until it wasn’t there. Until the light changes.”

Ana Ortiz as Victor’s mother Isabel and George Sear as Victor’s boyfriend Benji in “Love, Victor”
Courtesy of Michael Desmond/Hulu

The “Love, Victor” writers also mined personal experiences that come to their parents as they craft Isabel’s journey this season. Postpone a difficult conversation with Victor to another day with Isabel’s initial reaction.

“The idea that there is no answer to people who don’t accept the idea that their parents are coming out right away is something we hear over and over,” Tanen says. “The idea that the parents are just hesitant and don’t want to say one side or the other is a bit shocking for A and B doesn’t want to say anything negative, but they are traveling.”

One of the biggest stubbornnesses between Victor and Isabel is Victor’s refusal to tell his brother Adrian (Mateo Fernandez) that he is gay. This is a development that stemmed from a small argument when “Love, Victor” first moved out of their home. From Disney Plus to Hulu Before Season 1

Tanen said this move helped the show, allowing Season 2 to portray the sex life of Victor and Benji in a rare, candid way, but decided that “Love, Victor” couldn’t be on a more “family-friendly” Disney Plus. “It sparked an interesting conversation in the writer’s room about whether LGBT issues are inherently more adult.”

“They are in some ways a discussion of sexuality, and sexuality is more of an adult subject,” he continues. “We wanted Isabel to think about whether it’s okay to have these conversations with the kids. Of course it is. This is a conversation about people. are.”

When Adrian learns that Victor is gay, he accepts it without thinking again, and Isabel faces the biggest obstacle between her and Victor: a lifelong commitment to the Catholic Church. Early in season 2, Isabel also asks her bride about Victor. He advises her to help her son get back to Jesus, that is, stop homosexuality.

“When Victor agrees to be reluctant to come out, she doesn’t want to hear it,” Tanen says. “Looking at her face, she wants the bride to turn her around on this matter. Her heart and mind are elsewhere.”

Later, when Adrian tells Isabel that the bride hinted that Victor’s soul is in danger, there is the same light switch moment Ortiz’s grandmother had with Ortiz’s cousin Freddy, and she marched into the bride’s room to announce him. do.

“I was brought up to believe in a lot of ugly things, Dad,” she says. “It seems like it will take me to forget the rest of my life, but I will.”

Ortiz liked the scene, but said the director had to keep reminding her to reverse her reaction. “My instinct is, ‘Free me!'” she said with a laugh. “But that’s not Isabel. She still conquers a lot more about it.” (Still, Tanen remembers “people clapping” after the scene ended while she was reading the table for the episode.)

Tanen, who’s been writing Ortiz’s scenes after “Ugly Betty,” wrote the second episode of the season, in which Isabel finally tells Victor the desperate story he wants to hear: “I accept you, Victor. I love every part of you.”

That kind of happy ending doesn’t reflect every parent’s reaction to their child’s sexuality, but Tanen says it fits the larger mandate for “Love, Victor” to avoid the trauma of coming out.

“We want to feel inspired and uplifted at the heart of the show,” he says. “It can be an emotion in a writer’s room when people recall their journey, but it can also be incredibly cathartic. And it’s also a chance to make some wishes come true. Even if it’s not perfect, it’s an opportunity to rewrite history to show the LGBT audience, ‘This is the way to go.'”

Even telling queer stories in place empathy can lead to unexpected places.

“It is now a little easier to talk to someone in the family. [homophobic] Look,” she says. “Before I go to dinner and have a screaming argument. Now I think we can talk to them and take a closer look at them from their side.”

“I think it’s really important to have those conversations. “Now everyone is so angry. I mean, the world is upside down. But when it comes to family, when it’s a loved one… You can keep these conversations calm. And you can watch the show with them and say, ‘Now we can talk about it.’”

Originally reported by Source link

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‘Catch up on Kardashian’ is over, but the marathon continues at E!



'Catch up on Kardashian' is over, but the marathon continues at E!

After 20 seasons, the Kardashian-Jenner family signed “Keeping Up With the Kardashians,” with the series finale airing Thursday night heralding the end of the reality TV era. But that’s good news. Dolls: Long after the family moves to Hulu, fans can watch the “KUWTK” marathon on E!

E! reserves the rights to the juggernaut franchise Variety I found out that the NBCUniversal cable company owns the “Keeping Up” library and can continue to air episodes even if the family is deeply involved in their new contract with Hulu.

In addition to being able to air on E!, seasons 1 through 19 will continue to stream on Peacock and Hulu, with season 20 available on both services in 2022 under existing streaming deals.

Throughout the original run of “KUWTK,” the reality show was able to binge on Hulu. Hulu’s high engagement among its consumer base has proven to be a good synergy and is part of the reason families are moving to Disney-owned streaming services.

Kardashian-Jenners is expected to bring new shows to Hulu and Disney’s Star international streaming service starting later this year, but details about the content, format, or number of projects have not been announced. Announced in December 2020, the deal was set up with the families of Kris, Kim, Kourtney, Khloe, Kendall and Kylie.

“Keeping Up” aired in 2007 and revolutionized reality TV, popular culture, and celebrity definition. The flagship show ran 20 seasons and 9 spin-offs, featuring 440 episodes and approximately 20,000 hours of footage for a total of 38 seasons. E!’s smash hit “KUWTK” was a major player on Cabler in its final season, and as the series aired in 90 and 20 countries, it garnered an impressive audience and major advertising dollars not only domestically but also worldwide. other languages.

Last deal the Kardashian-Jenners made with E! Networks and families have commented on the sizable salary, but it was reported at $100 million in 2017. Hulu trading terms were not disclosed.

Although it cost the family quite a bit, E!’s return on investment has been worthwhile not only for its fresh content, but also from its well-received iterations, even if it’s already aired multiple times. The marathon in “Keeping Up” has been a staple of E!, filling a lot of airtime almost every day.

E! Although they haven’t made any programming announcements about how the “Keeping Up” iteration will fit into their future schedule, the show’s immense success and deep-rooted fan base will likely allow cable producers to take advantage of franchise ownership for years to come. will come

Actually the series is over, but E! There’s more Kardashians content to catch up with. Before the family officially leaves for Hulu, Andy Cohen will be reuniting with the family for the first time. June 17th at 8pm and June 20th at 9pm Part 2 special broadcast

Originally reported by Source link

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