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Price of 10 big tickets for the first 25 years of “Antique Roadshow” (VIDEO)



Although his UK counterpart, like PBS, has not been on the air for more than 40 years Antiques Roadshow In 2022, it reached the quarter-century mark. The series has been running since it premiered on January 9, 1997 Antiques Roadshow The guests realized that their treasures were more expensive than they thought – sometimes hundreds of thousands more.

To celebrate the first 25 years Antiques RoadshowWe’re looking at 10 memorable prices, from Picasso plates hidden in an invisible place to million-dollar baseball cards.

1955 Madura Oval Dish, Pablo Picasso

Guest Antiques RoadshowThe 18th season premiere in Boise, Idaho, said the dish had been owned by his family for decades and hung on the wall above the stove until he realized it was a work of art. Fortunately, when the owner of the gallery recognized her as Picasso, this woman got a hint about the value of the plate (not to mention the advice to give a new setting). And the appraiser on the show, Stuart Slavid, told the woman that her item was between $ 10,000 and $ 15,000, “on the conservative side”!

Diamond bracelet and Van Cleef & Arpels ring

The woman who attended Antiques Roadshow Scotch tape in New Orleans explained that she and her husband had dinner with a friend every month, and then her friend left her a diamond bracelet and a pearl ring. Appraiser Kevin Zavian valued the platinum and diamond bracelet at $ 15,000 to $ 20,000, but the ring turned out to be a real show. The Van Cleef & Arpels piece, with 14-millimeter pearls and six-carat diamonds, is valued at $ 20,000 to $ 30,000.

1607 Galileo Galilei solid

A rare letter from the famous astronomer and physicist Galileo Galilei broke the heart of appraiser Francis Walgren in an episode shot in Austin. As Walgren told the letter’s author, unlike scientific content, the content is “warm and friendly.” However, because Galileo signed it and was still in good condition, the letter ranged in price from $ 60,000 to $ 100,000. Not bad for a sheet of paper!

1923 Frank Schoonover May painting

A man Antiques Roadshow The film, shot in Winterthur, Delaware, brought tears to the eyes of those who knew the value of Frank Shonover’s oil painting. The story is also emotional: for two years, the man’s mother raised $ 5 a week to allow her father to choose a painting from Schoonover’s studio. His father published this work, Ralph D., 1923. Payne chose an illustration from the book Individuals of ’76. The cost of Debra’s forces? $ 125,000. “My father would be very happy to know that people are turning to illustrations,” replied the weeping owner. – My mother is very happy with what you said.

The marble lion of the Tang dynasty

A horse Antiques Roadshow In a 2002 film in Albuquerque, a woman brought a marble lion with her grandparents on a trip to China. Lark Mason, of course, said that the “developed” appraiser told the owner that the monument belonged to the Tang dynasty – the “golden age of Chinese art” and not to the Ming dynasty, as previously thought. Mason valued the lion at $ 120,000 to $ 180,000, but the owner is not yet ready to put a “sell” sign.

1892 HF Farny watercolor and gouache painting

A woman in Harrisburg, Pennsylvania, thought that she had inherited a framed piece of art from her grandmother and wanted to print it, but when she opened the frame to get the mosquito behind the glass, she realized that the work of art was real. In the previous assessment, the work of art was valued at $ 200 and $ 250, but no further Antiques Roadshow, appraiser Meredith Hilferty confirmed that this was a true painting taken in 1892 by HF Farny for $ 200,000 to $ 300,000.

Rolex Oyster Cosmograph watch and documents

A 1974 Air Force veteran in West Fargo, North Dakota, bought a Rolex Oyster Cosmograph for $ 346 after discovering that the airline’s pilots wore similar watches, and then put it and its documents in a safe. When appraiser Peter Planes told the vet that the clock was ticking as such It is now worth $ 400,000, and the man fell to the ground. However, due to the condition of the watch and its documents, Planes said the model was actually more expensive: between $ 500,000 and $ 700,000.

In the middle of the 19th century, Navajo Ute was the first phase blanket

A Tucson man said U.S. border guard Keith Carson gave the blanket to his grandmother’s foster father. Appraiser Donald Ellis praised the quilt, noting that it lasted from 1840 to 1860, noting that Navajo was “in its purest form” of weaving. Ellis also told the man that a very rare blanket, the “national treasure,” was worth $ 500,000. However, by 2016, its value had risen from $ 750,000 to $ 1,000,000. Antiques Roadshow Revealed on YouTube.

Boston Red Baypaks Baseball Archive

“Holy Smoke” is right! Leila Dunbar, a guest evaluator in New York, said her grandmother once housed Boston Red Stockings athletes, some of the first professional baseball players. Thus, the woman acquired a collection of 1871 photographic baseball cards, which Danbar considers the “largest archive” she has ever seen. Roadshow a day. Danbar estimated the archive at $ 1,000,000.

Originally reported by Source link

The featured images are, as they appear on the original report.


Now how Schneider revolutionized “Danger”!



Excellent engineering manager and now former a threat! On January 26, contestant Amy Schneider finished her first race on the show.

Schneider was the second transgender competitor to take the podium (after Kate Freeman in 2020). A 42-year-old resident of Auckland, California, shared his love of reading and amazing intelligence with people all over the country this season. a threat.

Below we will look at how he made his time special and important in detail.

His income

Schneider ended his successful series with 40 wins in a row, the most in the show’s history. She broke the previous record set by Julia Collins in 2014 and is the highest-paid woman on the show of all time. Schneider has won the second-most wins since Ken Jennings – he still has 74 wins in a row and is currently split in two. Taking on responsibilities with Maim Bialik.

Spectators at the house looked forward to seeing him win under his rule. Brain took home a total of $ 1,382,800, placing it fourth in all-time regular winnings. He is the next winner after Jennings ($ 2,520,700), followed by James Holzhauer ($ 2,462,216) and Matt Amodio ($ 1,518,601).

His Spirit

When Schneider filmed the show for the first time, he vowed to “be himself,” and won the hearts of viewers across the country.

In each episode, he shared a new, interesting fact about himself. Among them: His pre-show song is Eminem’s “Lose Yourself.” According to Schneider, he thinks about the lyrics before the competition. The heroic superstar also wore his signature pearls every night. After her first episode, the pearl that her beloved Genevieve gave her became the most important thing. According to Schneider, he wore them to commemorate the fact that Genevieve was always with him and supported him in California. Fans at home are fed up with the sensation of this quiz show and its accessories.

Jennings and Bialik congratulated Schneider on his character and skill.

Its representation and appearance

As the show’s biggest winner, a transgender champion and the first transgender participant in the Champions Tournament, Schneider has already broken many glass ceilings.

“His appearance has become a bright spot, allowing millions of people to root for his success and start talking about being transgender, while bills are being proposed in Arizona, Iowa, Indiana, Oklahoma, South Dakota and Ohio’s home state of Ohio. Transgender people are being targeted for discrimination. Now the achievements are celebrated with Jeopardy for many years! fans and LGBTQ people everywhere. said Nick Adams, director of GLAAD’s Transgender Representation, in a statement following his latest episode.

Last week, Ms. GLAAD Schneider announced that she would receive a special award at the 33rd Annual GLAAD Media Award, which honors the media for its best coverage of LGBT people and issues.

His victories on the show brought joy and a worthy representation to many people.

Schneider serves as a beacon of victory and a shining beacon, and his community is grateful.

Schneider continued to say thank you a threat! The audience and its winner congratulate Rona Talsman on her defeat.

Viewers can look forward to Schneider returning to the show at the Champions Tournament this fall.

a threatOn weekdays, check your local lists

Originally reported by Source link

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James Gunn confirmed the end of the Guardians of the Galaxy team



James Gunn confirmed this Guardians of the Galaxy Volume 3 We will see this version of the team for the last time.

When James Gunn Guardians of the Galaxy The fall, fans, spectators and critics completely flew away with it. The film was generally successful and a sequel was developed. To be continued, Guardians of the Galaxy Vol. 2 Although well-received and generally lower than its predecessor, Marvel Cinematic Universe is considered one of the best sequels. The third film was being developed, but was suspended due to the director’s temporary dismissal.

Since the film went into production, James Gunn has ridiculed it as part of the franchise. Many thought it would be the director’s final project for MCU and that this would be the last time we would see this version of the team. Although his future at Marvel is currently in the shadows, he has confirmed that the latter is true.

Speaking to Deadline, James Gunn said it would be the last time we would see this Guards team, calling the upcoming film big and dark:

“It’s the end for us, it’s the last time people will see this group of guards,” he said. It’s big; it’s so big and dark and different than people expected. I just want to be honest with the characters, the story, and give people the results they deserve for the story. It’s always a little scary; I’m doing my best. ”

Screenplay and directed by James Gunn, Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Karen Gillan, Pom Clementieff, Sean Gunn, Sylvester Stallone, Will Poulter and Chuckwood Iwuji.

The film will be shown in cinemas on May 5, 2023. Stay tuned for the latest news from the upcoming movie sign up for To Heroic Hollywood’s YouTube channel for original video content.

Originally reported by Source link

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Kristen Stewart, Nicole Kidman, Diana, Lucille Ball



Kristen Stewart, Nicole Kidman, Diana, Lucille Ball

Nicole Kidman (“Being Ricardos”) and Kristen Stewart (“Spencer”) sit down for a virtual chat. VarietyActors on Actors by Amazon Studios. Click here for more information.

Nicole Kidman and Kristen Stewart both explored iconography on screen and played with their own images. In “Being the Ricardos,” Kidman takes on her Lucille Ball, portraying her as Lucy Ricardo on her TV and creative force on the set of “I Love Lucy”. It’s a role reminiscent of Kidman himself, whose resilience and fighting spirit have been at the pinnacle of his career for decades. And in “Spencer,” Stewart plays Princess Diana during three turbulent days with the British royal family. Her work taps into Stuart’s charm and strength, while revealing aspects of an actress we’ve never seen before.

Nicole Kidman: We were supposed to work together a few years ago [on “Panic Room”]?

Kristen Stewart: I was 10 years old.

Kidman: I remember David Fincher saying, “Oh my gosh, we found the most amazing actress.” Then she got hurt and she eventually stopped her from being your mother.

Stewart: We rehearsed for several weeks. I have vivid memories of it because the way you treat children speaks volumes. I felt like I had sprouted with you. It was two or three weeks, but I always thought “she was one of my friends”. They gave me a walkie-talkie for Christmas.

Kidman: Here we are hanging there decades later. And you are wonderful. Fincher was right, as always. If you’d like to be able to actually ask questions about what motivated you to do “Spencer” and about your entire career since the age of 10, please tell us about it. You could easily say no to “Spencer”, but you didn’t. why?

Stewart: This wasn’t something I was overthinking. Because as soon as you start to isolate this, it’s easy to find reasons not to do it. The way Pablo Larraín presented the idea to me was for us to get to know her version of a really selfish path, a really desire-based path, and push it into 3 days and unleash this woman’s ideas. But really try and don’t do it right.

So he said: “You can’t be wrong. Basically, you can’t mess this up.”

Kidman: And he was right.

Stewart: I said, “This guy has a good voice and he’s talking to me. And he said it’s a good idea and he believes in me.” If you’re still going to be an actor, you have to do this, or you just have to quit.

Was Lucille Ball the person you watched as you grew up? What made her approach her?

Kidman: I knew Lucy and the “I Love Lucy” show, but when I read the script, I had no idea about her story and her journey, and it had to do with some. It was a game worth playing. Then a flood of fear came and said, “No, what have I done?” I do what I do a lot in my life, and then I keep pushing.

Stewart: I know the voice because I grew up watching “I Love Lucy.” The sound coming out of her mouth was so unrealistic. She has a less rehearsed version of that voice when she’s just a human.

Kidman: smoking. She is a heavy smoker. I am not That was the big key. I started smoking. I know you shouldn’t say it. And the moment I hung up, I hung up.

Stewart: thank God. Were you nervous because it was funny?

Kidman: I was nervous enough to try to get her voice. Lucy has a rhythm. I will lean her body on the sound and it will slowly wash away with my mouth, my body, my brain and my spirit. Suddenly she was there. she just showed up. It wasn’t hard at the time, but the work needed to be effortless was climbing the mountain.

Stewart: exactly. It’s been so long I can’t even hear it. I can speak English with an accent, but it’s something. you are never you At some point I let go. Perhaps she showed up a week before we started filming and I could relate enough. She became a kind of friend. You make the best impression on your best friend. At the last hour I was lucky enough to get it or whatever I had.

Kidman: Yes – give up and say “Gee, I hope she shows up.” She learned by watching her interviews. “Oh, I totally agree. I was in that position.” She had an arrangement between her and me. Aaron [Sorkin] I’d just sit there and say “Um-Hmm”. And I said, “Oh, so he cast me.”

But Javier [Bardem] We were rehearsing like that, so we did Zoom together. We surprised each other so we didn’t help each other. At one point we insisted on putting off the movie. And Aaron said, “Hey, you can do it.” My entire career is just – don’t overthink it.

Stewart: Looking at his career, he said, ‘I can understand the logic to some extent, but there is an emotional line that I know somehow, and that’s the best way to get to know an actor.

Kidman: I don’t know myself, but I’m glad you got to know me.

Stewart: This is my version. It may not be accurate, but it is still there. You have chosen such a wonderful movie forever. Did you make a concerted effort not to do what you expected?

Kidman: Experience is ultimately what we live and die for. The people you choose to sort by. I am fascinated by humans. I am fascinated by what it means to be alive. I’m fascinated by what it means to die. I am fascinated by all the big philosophical questions that revolve around us. So I mainly look for filmmakers who explore it.

I also circled the lighter rates. “Moulin Rouge!” – It was very difficult, but I wanted to tell a love story. “Please, let me be creative with my love story.”

Stewart: I saw the movie in the theater with my mom. I was so obsessed with that movie. I knew every word on that one incredibly long track.

Kidman: “Elephant Love Medley”.

Stewart: Every word probably still is. It was such a beautiful movie.

Kidman: I went to ‘Twilight’ and saw it. We were seated in a theater in Nashville. What do you think about it? you shine You were born with that charisma. How do I deal with it?

Stewart: It’s fun. It is the experience you are experiencing compared to what others are experiencing. I was 17 when I started the movie and I was just a bit of an inside out person. I walked around bleeding all over my body. At what age did you start acting in movies?

Kidman: I was 14 years old. I remember Anthony Minghella telling me, “You have no skin.” I think that’s what you are explaining. Vulnerability, exposure, everything you’re going through is for consumption. You’ve been through it on a much larger scale than me, but I can’t believe I’m actually going through it.

Stewart: As you get older, you sometimes feel like you’re protecting yourself. You have a little less skin, find the right project, and find different paths to approach your emotions. I used to use anxiety. Now I know that I am working harder than when I was younger. Having no skin worked for a while, but now I have to build something instead of defending all the balls and being completely dependent on my environment.

Kidman: You pointed out one thing I want to ask you. But right now: Directors you are drawn to, why are you drawn to them?

Stewart: It obviously starts with the work they create, but I can work with artists who don’t necessarily need a library of work to convince you of. Sometimes it’s the temperature of the room and literally the tone of their voice. It’s worth jumping into people who feel you have access to something. You have to give your job a chance. Even if it didn’t come out, the stone had to be turned over. I had to make sure it was worth it.

Kidman: I like the idea of ​​not obsessing over how it will be. I did a movie called “Birth” with Jonathan Glaser and I thought, “Oh my gosh, people would love this.” I remember being in Venice. People said, “I’m not sure about the bathtub scene.” But he’s a great coach, and he’s found a way after that. Work finds a way. They have their own life and path. Now it’s very immediate. “Success?” I really resist it. I dig my heels and will continue to dig my heels about it for the rest of my life. It’s about a long journey artistically.

Stewart: I also love to watch imperfect movies. You see this strange, messy, awkward alchemy come together. It’s not perfect, but it feels something.

Kidman: Do you want to supervise?

Stewart: Too bad.

Kidman: Wow.

Stewart: I adapted the memoir of a novelist named Lidia Yuknavitch, and we have just casted the lead role of a monumental relief. I was alone in this vacuum and it’s really nice to give something to someone, a friend, or a partner and say “Help me”. She’s the one to do it and it’s really hard. So I crossed the moon.

Kidman: You are not too scared. When do you start?

Stewart: It is in progress. I spoke to a rich guy two days ago and she seems excited about the prospect, but I want it to be small. I think it’s really the best version. The frozen water I’m about to throw this woman into, I’m already terrible. Inviting someone to this special occasion is a really great request. I think you’ll like it. The writing is too physical, too intense, and very feminine.

Kidman: Do I have a role? I’ve always loved the idea of ​​moving to places you’ve never been and supporting people moving to places you’ve never been. I’m not asking for a cast in a movie, it’s a way of saying, “Support is always there because that’s what we have to do.” Otherwise, you’re in a sparse place that isn’t fun or creative. He continued, “I am a working actor. If you tell me where to go and what to do, I will follow you.”

I recently had that conversation with a director I work with. “You are the leader. I am follower. you are my mother I know I am older than you, but you have to be a parent.” Because I cannot come in and rule. I am open and ready for you, and I want to be there.

Stewart: It’s the best feeling. I’m sure there can be some jaw-dropping menacing elements at times. And you say, “No, this is your show. Please tell me.” And that’s when you thrive.

Kidman: I am shaken by my convictions. Just do it. I’m most comfortable when someone says “follow me here”. So I will never instruct.

Stewart: really?

Kidman: Nope. It’s terrible. I have no decision-making power. I’ve been working since I was very young and it’s been decades now. I am connected in a certain way. That’s why it’s a good idea to do it now, as it won’t be fully wired in one area.

Stewart: The wiring is very chaotic. Nothing feels like a rehearsal or planned. It’s easy to follow, but it’s like a whip. Try and don’t decide. We love to see you don’t make it.

Originally reported by Source link

The featured images are, as they appear on the original report.

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