Emmy’s momentum is on RuPaul’s side. and Beau Burnham. Not to mention “The Crown”, “Last Week Tonight with John Oliver”, “The Queen’s Gambit”, “Saturday Night Live” and “The Mandalorian”.
These are just a few of the series where the Creative Arts Emmys won major awards on Sunday, ending with two consecutive awards ceremonies.
“Queen’s Gambit” holds the most wins so far with nine wins, including casting for a limited/anthology series or movie next Sunday. It is followed by “The Mandalorian” and “Saturday Night Live,” seven each. Among the networks so far, Netflix dominates with 34 (3 programs, 31 individuals), followed by Disney Plus with 13 (12 individuals, 1 series). Then the combo of HBO and HBO Max is 10, followed by NBC (7), Apple TV Plus (6) and VH1 (5).
Casting categories can often give you a hint where the main races are going. Last year, “Schitt’s Creek,” “Succession,” and “Watchmen” all won Outstanding Casting and their respective Series Awards. This year’s ‘Crown’ won the drama casting category. “The Queen’s Gambit” won for a limited/anthology series or film casting, and “Ted Lasso” for a comedy casting. All three are considered series leaders. Is this more of a sign?
Meanwhile, “Bo Burnham: Inside” could be aiming for an Emmy for Best Variety Special (pre-recorded) in a very crowded scene. Burnham has already won music directing awards for directing a variety special and writing a variety special.
Now on to the big show, the Primetime Emmy Awards will be broadcast live on CBS on September 19th. However, here is a recap of the Sunday festivities held in person (with a limited audience) at the LA Live Events deck in downtown Los Angeles. And it all starts with RuPaul.
Invest your money next Sunday to win another Emmy program of “RuPaul’s Drag Race”. If the Creative Arts Emmys are any indication and generally are, then television academy voters are ready to give the VH1 show a fourth straight win in the category.
“RuPaul’s Drag Race” and “The Voice” became the second most prestigious series in the competition since they started in 2003. Only “The Amazing Race”, which includes 10, has more. (While this category has been around for nearly 20 years now, it has only won four shows is the backbone of much debate in the industry.)
‘RuPaul’s Drag Race’ is a hot topic, starting with RuPaul Charles, the host of the 6th consecutive reality or contest program. (Ru already made history last year, breaking the category record, which further solidifies his dominance.)
Charles is also ready to make history in a different way. According to his rep, he is now tied for an Emmy Award-winning record for People of Color (joint with cinematographer Donald A. Morgan). If “RuPaul’s Drag Race” wins the next week’s Emmy Competition program we just wrote, he’ll break the record with 11.
The show won four at the Creative Arts Emmys Awards on Sunday afternoon, the second of three events this weekend. “Drag Race” also won the director award for the reality program (for Nick Murray), which “Drag Race” last won in 2018 (for Netflix’s “Cheer” last year). Also added to the franchise’s dominance: “RuPaul’s Drag Race Untucked” took its first win in the Atypical Reality category. (“Cheer” won.)
The dominance of “Drag Race” was a reminder that television academy voters love what they like. This is good news for incumbents in the annual Emmy Awards. While new people always arrive and rule (witness what you’ll see as “Ted Lasso”), many familiar faces were once again honored during the second of three Creative Arts Emmys.
In the guest performer category, Courtney B. Vance is a favorite among actors and is also president of the SAG Foundation. His role in “Lovecraft Country” stood out, so putting it all together, his triumph as a guest drama actor was completely meaningful. And while Claire Foy has already won an Emmy for Best Actress for “The Crown,” her cameos have been limited this season, but it’s not hard to see the voters drawn to her for guest drama actress Emmy. (This is also another positive sign that raises expectations for next week’s drama.)
On the comedy side, Maya Rudolph won the Guest Actress category for the second time in a row with “Saturday Night Live” and Dave Chapelle won the title by hosting the episode “Saturday Night Live”. ‘SNL’ scored for the second year in a row. Rudolph once again won the award for the voice actor role of a character in “Big Mouth”, including Connie Hormone Monstress, for the second year in a row.
Another Emmy hit: Director Don Roy King of “Saturday Night Live” won an Emmy for the fifth year in a row for directing a variety series, this time with an episode from host Dave Chappelle. (This is his 10th Primetime Emmy Award.) Derek Hough is back to win his first Choreography Emmy since 2015, winning “Dancing with the Stars” in the Choreography category for Variety or Reality Programming. Last winner of the 2019 Nike Advertising Excellence Award, Wieden+Kennedy won again this year with another Nike advertisement, “You Can’t Stop Us.”
Disney Plus’ ‘The Mandalorian’ continued to win the stunt coordinating category last year (drama, limited edition, movie category in 2020, and Al Fair this year) in the stunt category. has been selected. In this case, it was the Lateef Crowder from the “Chapter 16: Rescue” episode. “The Mandalorian” has also received special visual effects for its season and film Emmys (which won similar awards last year). Paramount Plus’s “Star Trek: Discovery” won the Special Visual Effects category in the single-episode category, making it the first streamer to win an Emmy since rebranding on CBS All Access.
In addition, “The Mandalorian’s” Ludwig Göransson won the Best Music Composition Award in 2020 for a series he also won (original drama sheet music).
For example, “Queer Eye” won the Structured Reality Show for the fourth year in a row. This is a milestone for the show. Now it’s like “Shark Tank” has the most wins in the category (released in 2001). Another comeback project included a work that won four consecutive awards for ‘Life Below Zero’ for excellent shooting skills in a reality program.
America’s Treasure Dolly Parton and Debbie Allen celebrated “Dolly Parton’s Christmas on the Square” at the TV Academy. Parton won her first Emmy award, with the Netflix movie being voted Best TV Movie, and Allen won her fourth work, Script Programming Emmy’s Choreography. Allen will also receive the Governor’s Award at an awards ceremony next week.
In the short form category, Apple’s “Carpool Karaoke: The Series” won the short form comedy, drama or variety series for the fourth straight year. various dramas this year).
JB Smoove won Short Form Comedy or Drama Actor for Quibi’s “Mapleworth Murder”, which would now become Roku Channel’s “Mapleworth Murder”. But for now, this is technically Quibi’s last Emmy. And that’s Emmys’ rap about Quibi. In the Actor in a Short Comedy or Drama category, Keke Palmer won Facebook Watch’s “Keke Palmer’s Turnt Up with the Taylors”.
So, will ‘Wanda Vision’ go to the end? It’s unclear, but the show’s earworm “Agatha All Time” won big awards for original music and lyrics by Kristen Anderson-Lopez and Robert Lopez.
It was a good day for CNN, which reclaimed a special category or a non-fiction series hosted by “Stanley Tucci in Search of Italy.” In 2013, 2014, 2015, 2016, 2018 and 2019, the News Network’s “Anthony Bourdain: Parts Unknown” won awards. (A&E’s “Leah Remini: Scientology and the Aftermath” won last year and in 2020.)
Also for CNN, “Lincoln: Divided We Stand’s” Sterling K. Brown was narrated (adding another Emmy to his collection). This broke the famous narrator David Attenborough’s third consecutive record, but “David Attenborough: A Life on Our Planet” (shooting a non-fiction program, composing music for a documentary series or special/original drama score, mixing sound for a non-fiction or reality show) .
Also, it was Adult Swim’s “Gendy Tartakovsky’s Primal” that scored the first animated show Emmy. This means Adult Swim has won this category in 3 of the last 4 years (winning “Rick and Morty” in 2018 and 2020).
Among the other award winners were some surprising facts. Disney Plus is James Cameron’s “Secrets of the Whale” in the documentary or non-fiction series “Allen v. Farrow”, “City So Real,” “Pretend It’s City”, “American Masters”.
And there are some interesting documentation examples. Netflix’s “Dick Johnson Is Dead” won an Emmy for Outstanding Director of a Documentary/Non-Fiction Program, and “Boys State” on Apple TV Plus won a Special Documentary or Non-Fiction category, and Pluto TV (first Emmy Award) won. He won the Best Actor Award in the documentary category for ’76 Days’. (It’s also the producer’s first award for an MTV documentary film.) None of those previously submitted to the Oscar competition would have been eligible from next year. Now, the TV Academy has decided that documentary films will be nominated for an Academy Award starting in 2022. Not eligible for Emmy Awards on the AMPAS viewing platform.
Backstage, while speaking to the press, Johnson discussed the importance of filmmaking. “I really needed a movie that would help me lose my father to dementia, and I believed the movie would help me get it back.”
In ‘Drag Race’, casting was additionally repeated to win the reality program that continued last year, and photo editing for structured reality and contest programs (once again from 2020) was repeated. So the franchise actually has five wins so far this year.
Executive Producer and Co-Founder of World of Wonder, Randy Barbato, was one of many crew and cast members to celebrate and acknowledge the importance of this season’s participants. In his acceptance speech, Barbato said: “The Queens of Season 13 are inspired every day. Whether you are a fan of ‘Drag Race’ or not, I would like to ask you one thing. Please tip the local queen.”
Award-winning Ross Matthews, along with fellow “drag race” judge Michelle Visage, discussed the importance of Kylie Sonique Love’s recent historic victory as the show’s first trance contestant. “Our show tells a story that has never been told at this level in the mainstream,” he said. “Show people all over the world that you can achieve anything you want to do.”
Here’s the Emmy tally so far as we head towards the Primetime Emmys next Sunday.
Queen’s Gamble 9
Saturday Night Live 7
Love, Death + Robot 6
RuPaul’s Drag Race 4
The Crown 4
Beau Burnham: Inside 3
David Attenborough: Life on Earth 3
Ted Lasso 3
Wanda Vision 3
David Byrne American Utopia 2
Dolly Parton’s Christmas on Square 2
Gendy Tartakovsky’s Primal 2
sub-zero life 2
Lovecraft Country 2
social dilemma 2
The network totals are as follows:
Originally reported by Source link
The featured images are, as they appear on the original report.
San Sebastian Film Festival: 10 Lessons to Learn
(This article was updated on September 17th)
In September of last year, San Sebastian created a small miracle and held a safe on-site festival when the second Corona 19 spread in Spain. On-site attendees will grow this year, but due to travel issues, cautions and costs in Latin America, the United States and Asia, the entire attendee will not be able to attend.
That said, this year’s festival, which runs from September 17 to 25, will be launched on all cylinders as a Spanish film shop, a new talent hub and launchpad for the local Basque industry. Here are 10 of the most important cinematic events in the Spanish-speaking world.
Star Power: Cruz, Banderas, Bardem, Depp, Cotillard, Chastain, Tucci, Peters
Penelope Cruz and Antonio Banderas attend the Spanish premiere of “Official Competition” and the world premiere of “The Good Boss” by Javier Bardem. Johnny Depp (arguably) and Marion Cotillard receive the Donostia Award for Achievement. Jessica Chastain is the only American film to compete in the US finals for ‘Eyes of Tammy Faye’, and Stanley Tucci and Clarke Peters to ‘La Fortuna’ to decorate the world premiere of Stars surrounded by crowds love San Sebastian. Their 2021 presence will be chosen, but still strong.
Genre: New Revolution
After Cannes Award-winning “Titane,” another French femme writer, Lucile Hadzihalilovic’s “Earwig” is certainly one of San Sebastian’s most anticipated titles. José Luis Rebordinos, director of the San Sebastian Festival, said, “Expect the enthusiastic response of female horror directors later this year.” But another revolution is taking place. San Sebastian was used to prime the straight arrow art house. The classic horror plays “Earwig” and “La Abuela” are now competing. Another Golden Shell competitor, China’s “Fire in the Plains”, is a thriller, just like “Daughter”, out of competition. “Writers no longer want to make genre films, they want to tell stories and use genres to achieve that,” says Levordinos. Genre author films are set to revolutionize Europe’s former art scene.
The “Official Competition” was well received in Venice. There are good reviews for “Good Boss” and two first works by a woman. “As in Heaven” by Dane Tea Lindeburg is a female-focused, adult-era piece created with a modern perspective. And Romania’s Aline Grigore’s “Blue Moon” is a portrait depicting the toxic masculinity of a shady clan of modern hoteliers: sexist, authoritarian, violent, and self-pity. The topic of ‘New Directors’ is Mar Pecio’s “That Weekend”, a mother-daughter drama with a Western-style atmosphere. “Julieta’s” a prison-set romantic drama in a fantasy soap opera starring Emma Suárez, “Josephine” by Javier Marco in Spain; and “Rust,” written by Colombian Juan Sebastián Mesa, critiques the weakness and devastating aftermath of the rural economy.
When San Sebastian announced the Donostia Award for the “Pirates of the Caribbean” star, it sparked international outrage. Why win a prize for a person who lost a defamation lawsuit against the British tabloid Sun, for beating his wife? San Sebastian refuted that Depp was never arrested, charged with or convicted of sexual assault, reminding critics that he had always fought “inequality”. Now, in collaboration with (H)emen, Basque women’s association in the audiovisual sector and in the landscape arts, we will organize a festival workshop dealing with gender equality and the Depp debate. “I think there was a divide between people and groups who shared a common goal,” Levordinos said. Look forward to more gender initiatives in the future.
Movistar Plus: Raising Expectations for Movies and TV Series
The second highly anticipated San Sebastian title is not a movie, but “La Fortuna”, a six-part series produced by Movistar Plus, AMC Studios and Mod, starring Stanley Tucci and Clarke Peters “The Wire’s”. This is the first TV series of ‘The Arthur’ directed by Alejandro Amenabar. “La Fortuna”, a humorous adventure thriller that spans America and Spain, past and present, is the largest international co-production in Spanish history. The world premiere of “La Fortuna’s” San Sebastian comes weeks after Movistar Plus released photos of Alberto Rodríguez’s “Modelo 77”. Now, the key is whether Movista Plus will jump into film production with the same vitality it showed in the drama. We are definitely moving more to San Sebastian, creating the groundbreaking San Sebastian Virtual Cinema on the platform.
Most of the French international industry will move into San Sebastian this year. Otherwise, it’s almost impossible. Venice Business turns the lineup. Toronto 2021 is paralyzed by travel restrictions. AFM plays online. Across Europe, producers and sales agents are desperate to sit at the same table as potential partners and customers. Much of the film business cannot be done with Zoom alone. San Sebastian is as close to Paris as Cannes, an easy train ride to the fabulous resorts. Expect significant French and continental European presence this year.
Local Heroes: Spain’s Mighty San Sebastian Presence
Fighting fears that a new subsidy system will wipe out domestic film production, San Sebastian 2021 boasts the strongest official selection Spanish film presence in years. Seven titles, four final competition categories, and an “official competition” straight from the Venice premiere.
But what’s really surprising about this year’s Spanish film lineup is the high production standards and remarkable diversity the film shares, Rebordinos says. It can be seen from competitors. Iciar Bollain’s post-Basque conflict reconciliation drama “Maixabel” is “openly political,” he says. Fernando León de Aranoa’s “The Good Boss” puts weight on work comedy, and Paco Plaza’s “La Abuela” looks much more mainstream, but is a tale of a nightmare relative. “Quien lo imide” by Jonas Trueba, a half-fiction-doctor, celebrates the vision and virtues of Madrid’s millennials.
hot ticket project
Launched in 2012, San Sebastian’s European-Latin American Co-Production Forum has quickly integrated into the festival’s industrial hub, forming the latest projects from many of Latin America’s most popular art house directors and producers. This year is no exception. Hernán Musaluppi is sponsoring Paula Hernández (“Sleepwalkers”) from Argentina, “El Viento Que Arrasa” from Storyboards from Chile, and “El Porvenir de la Mirada” from Sebastián Lelio Cristian Leighton. Brazil’s Desvia Produçoes is behind Johnny Ma’s “Chin-Gone”, “Alemania” is Tarea Fina, and “La Sucesión” is behind Pasto and Gema Films. New Argentine cinema icon Diego Dubkovsky creates “People of the Night” by Romina Pola. A strong lineup. We expect many of these titles to play at major festivals in the next few years.
Basque Talent Cultivation
There is Basque production, but Iciar Bollaín’s highly anticipated “Maixabel” is a sign of how much the Basque industry has developed over the past decade, with the news that Koldo Zuazua produced no Basque director in this year’s main competition. Top Basque Costume Kowalski Films. The strength of the Basque industry will be felt in many other ways as well. The San Sebastian ecosystem of the Festival, Tabakalera, Filmoteca Vasca and Elias Querejeta Zine Eskola is still growing. 2deoseriak, the latest high-performance drama series development lab, will be presented at the festival. Leire Apellaniz produced “Sacred Spirit”, which received high marks in Locarno. A new generation of Mikel Gurrea, Alauda Ruíz de Azúa, David Pérez Sañudo and Esti Urresola have films in the works. Public broadcaster ETB is immersed in premium fiction, yokeing Basque roots and innovations, and targeting a youth audience.
$1.9 billion in the Spanish AVS Hub
On March 24, Spanish Prime Minister Pedro Sánchez stepped up Spanish film and TV production, large foreign players set up filming and production centers in Spain. How it works is another matter. Details will be provided in a two-hour presentation at San Sebastian on September 21st. Rather, it is most likely packed. But the bigger picture is encouraging. José Nevado of Spanish producer assn said: “For the first time, audiovisual is on the agenda of the Spanish government. head. And in a big sense.
Originally reported by Source link
The featured images are, as they appear on the original report.
Sundance Winner ‘Don’t Go Tellin’ Your Momma’, NYTimes Premiere
The New York Times’ Op-Docs Initiative selects “Don’t Go Tellin’ Your Momma,” which won the Jury Prize for Nonfiction Short Film at the 2021 Sundance Film Festival, to be released at the NYTimes on September 14th. .com.
Directed by Topaz Jones and film production duo Rubberband (Jason Filmore Sondock and Simon Davis), the 38-minute film features Jones himself by presenting “The Black ABCs”, inspired by a set of alphabetic flashcards developed by black educators. Explore Jones’ education on identity. In 1970 it was used as an alternative to the commonly available European-centric educational tools available in Chicago. Jones created his own version of Black ABCs, updated for the lives of now black Americans, resulting in 26 scenes that served as companions to Jones’ musical album of the same name.
Winner of a Special Jury Award for Fantastic Storytelling at SXSW 2021, the film will premiere as part of Op-Docs, a short documentary series for the media company produced by an independent filmmaker.
“At the heart of ‘Don’t Tell Mom’ is a desire to preserve,” Jones said. “We found the joy of discovering new and creative ways to record life moments as long as we can speak to the spirit of many lives. We are honored to partner with a historical institution such as The Times to present a primitive and unconventional exploration of thought and memory as a documentary of the complex relationship of identity with early black Americans. I hope to inspire and see others discover their selves for the next generation.”
“We often think of creating a three-dimensional object in a two-dimensional space while making this piece,” said Rubberband. “People who love him have tried topaz-shaped holograms for those who love him,” he added. “In that sense, this film was an effort by the villagers who believed in our portrait of topaz and the process of making it. We keep talking about bringing movies home. We truly believe that the physical city and place this film belongs to exists in this world. Small nooks and crannies are carved where Don’t Go Tellin’ Your Momma’ fits. like Chicago. and Montclair. and 8th grade classrooms. And on a hot summer day, covered in sweat.”
Christine Kecher, Senior Commissioning Editor at Op-Docs, said, “We are excited to release a short film that pushes these limits on The Times’ digital and mobile platforms. “Op-Docs has been following the film’s journey since it premiered at Sundance earlier this year. We’re excited to partner with filmmakers to share this incredible work of visual and musical imagination with a global audience.”
“Don’t Go Tellin’ Your Momma” was produced by Smuggler in collaboration with Frenzy Paris, BWGTBLD GmbH and Section 80. Luigi Rossi is a producer along with Executive Producer of Kevin Storey, with creative direction by Eric J. McNeal and photography by Chayse Irvin. Op-Docs are produced by Adam Ellick executives.
Originally reported by Source link
The featured images are, as they appear on the original report.
‘Queen’s Gambit’ Wins Night 1 at Creative Arts Emmys 2021
“Queen’s Gambit”, “The Mandalorian”, “Saturday Night Live”, “The Crown” and “Pose” were among the top winners on Saturday. The first wave of this year’s Creative Arts Emmy Awards was presented in downtown Los Angeles. .
Netflix dominated the network and platform with 12 victories along with 7 trophies collected from the limited series “The Queen’s Gambit”.
The event was held in an outdoor tent at the LA Live Complex due to the pandemic situation. Due to the need for social distancing to prevent the spread of COVID-19, the number of attendees has decreased significantly compared to previous years. Those who attended the show in person were vaccinated and went through a lot of paperwork and on-site screening to prove that they had tested negative for the virus within the last 48 hours.
The “Queen’s Gambit’s” hall included awards for period costumes, period makeup, production design and cinematography for a limited series. It was emphasized that several of the program’s award-winning works are becoming increasingly international, with residents living outside the United States. “We’re bringing this baby to Berlin,” said Sabine Schaaf, “Queen’s Gambit” set decorator, as he lifted the Emmy.
The first presentation of the three Creative Arts Emmy Awards was also on the 20th anniversary of the 9/11 attacks. That milestone was also not lost by Keith Raywood, one of the “Saturday Night Live” winners of the variety series’ production design category. This was one of three categories taken by the venerable NBC Late Night Series, which is entering its 47th season this year. In his remarks, 37-year “SNL” veteran Raywood pointed out the parallels between the upheaval sparked by the 2001 attacks on New York and the Pentagon and today’s fight against the epidemic.
“We did our first show again two weeks ago, 20 years ago,” Raywood said of “SNL”‘s return to production after the attack. “It was then that I first realized that I did more than the show, but it was much more important in people’s lives. “It felt very similar to that moment last year.”
The biggest challenge for the staff was whether it was okay to laugh again or if it was okay to be funny. said Raywood. “The country was in shock and comedy could be very inappropriate,” he said.
Among the bewildered winners was HBO’s “A Black Lady Sketch Show” for photo editing for a variety show, where she battled Emmy’s lovers like “SNL” against fellow HBO series “Last Week Tonight with John Oliver”.
Winner Daysha Broadway, who leads the “BLSS” team, which includes Stephanie Filo and Jessica Hernandez, took note of what the trio meant for the top prize in the editorial category, a craft that was traditionally male-dominated, but also a notable springboard. Famous female cutters like Thelma Schoonmaker.
Broadway was moved by emphasizing how rare it is for a woman of color to achieve the highest level of success in crafts, let alone three women. Broadway said the recognition of her industry peers has shown that black and brown women have a variety of talents not yet seen on the world stage.
Broadway credited the star and showrunner for the show’s backstage diversity at every level, saying “Thank you for being you” to “BLSS” head Robin Ted. Backstage, Broadway urged others to get Thede’s signal. “I think it’s very important for people to build a diverse and inclusive workforce, while also listening to them and getting them to work when they arrive,” she said.
These career opportunities have already opened the door to potentially long careers in TV to the show’s many crew, craft and craft workers. It tells black and brown women, “We see you, we love you. You are not one.”
Naturally, FX’s “Pose” won three of the Style Awards, winning trophies in the Contemporary Makeup, Hairstyling and Costume categories in a very competitive year. The winners of the drama series, which aired for three consecutive seasons in June, were also touched by the show’s legacy of driving change and opportunity in the industry for the underprivileged, beyond the previously hoped for a career in Hollywood.
Hairstylist Tene Wilder, one of six on the team to win a Contemporary Hairstyling Emmy on FX’s groundbreaking drama “Pose”, said, “For a little girl from ‘The Hood,’ this is a dream.
Barry Lee Moe, Head of Hair “Pose” gave a moving speech dedicated to the win to the transgender community. Mo said, “This award is for all transgender people who have felt abandoned and invisible in this world, but who have found the courage and strength to somehow survive each day despite the constant challenges that are thrown at the door every morning.” . “This award is for transgender people who carelessly steal and shorten their lives through ignorance, hatred and violence. This award is for transgender sisters and elders who have laid the very foundations on which we stand today.”
This year’s frontrunners, Disney Plus’s popular “Star Wars” spinoff “The Mandalorian” and Netflix’s “The Crown” were overshadowed by “Queen’s Gambit” on the crafty Night 1’s category slate. (2 more) The Creative Arts Awards Ceremony will be broadcast live on September 12, and the main event will be broadcast live on September 19.) ‘The Mandalorian’ won three awards including a 30-minute series single camera shoot and prosthetic makeup.
“WandaVision”, which won two Emmys for an outstanding production design for a narrative program (30 minutes) and outstanding fantasy/sci-fi costumes, gave Marvel Studios the first award. Costume designer Mayes C. Rubeo felt emotions while speaking backstage.
“As female managers, immigrants and Mexicans, we are working hard to get here.
‘Crown’ won two trophies in the single camera series (1 hour) shooting category and the drama series photo editing category. “Mandalorian” and “Crown” were top nominees this year with 24 bids each.
Apple TV Plus’ delightful comedy mastermind “Ted Lasso” added two more pieces of hardware to the trophy case, winning Emmys for photo editing and sound mixing. The series is a comedy leader this year, winning a record 20 Emmys in its freshman season. Most of the nominations for “Ted Lasso” will be picked up at the Primetime Emmy Awards ceremony on September 19th, which will be broadcast live on CBS.
Another memorable moment from Saturday’s Creative Arts presentation was a moment almost reminiscent of the 2017 Academy Awards, when hosts June Diane Raphael and Paul Scheer announced the erroneous Best Picture winners in the first place by presenters Faye Dunaway and Warren Beatty. Raphael and Scheer stopped themselves before sending misinformation into space.
“I feel this is not right. I feel bad.” Scheer was stunned on stage. “I was careful enough to know that this person was not a candidate.”
Afterwards, Raphael told reporters backstage that the moment was real and not scripted. “There were moments when I looked at Paul and thought, ‘Have we heard of that candidate?’” Raphael said. They had the correct card, but it turns out they were reading the wrong section. “I yelled at the accountant,” Scheer added backstage. “The best part of my night was being yelled at by the PricewaterhouseCoopers staff.”
The highlights of this weekend’s three Creative Arts Emmy Awards will air September 18th at 8pm on FXX.
(Pictured above: Deisha Broadway, Stephanie Philo, Jessica Hernandez, winner of HBO’s “A Black Lady Sketch Show”)
Originally reported by Source link
The featured images are, as they appear on the original report.