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San Sebastian Film Festival: 10 Lessons to Learn

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San Sebastian Film Festival: 10 Lessons to Learn


(This article was updated on September 17th)

In September of last year, San Sebastian created a small miracle and held a safe on-site festival when the second Corona 19 spread in Spain. On-site attendees will grow this year, but due to travel issues, cautions and costs in Latin America, the United States and Asia, the entire attendee will not be able to attend.

That said, this year’s festival, which runs from September 17 to 25, will be launched on all cylinders as a Spanish film shop, a new talent hub and launchpad for the local Basque industry. Here are 10 of the most important cinematic events in the Spanish-speaking world.

Star Power: Cruz, Banderas, Bardem, Depp, Cotillard, Chastain, Tucci, Peters
Penelope Cruz and Antonio Banderas attend the Spanish premiere of “Official Competition” and the world premiere of “The Good Boss” by Javier Bardem. Johnny Depp (arguably) and Marion Cotillard receive the Donostia Award for Achievement. Jessica Chastain is the only American film to compete in the US finals for ‘Eyes of Tammy Faye’, and Stanley Tucci and Clarke Peters to ‘La Fortuna’ to decorate the world premiere of Stars surrounded by crowds love San Sebastian. Their 2021 presence will be chosen, but still strong.

Genre: New Revolution
After Cannes Award-winning “Titane,” another French femme writer, Lucile Hadzihalilovic’s “Earwig” is certainly one of San Sebastian’s most anticipated titles. José Luis Rebordinos, director of the San Sebastian Festival, said, “Expect the enthusiastic response of female horror directors later this year.” But another revolution is taking place. San Sebastian was used to prime the straight arrow art house. The classic horror plays “Earwig” and “La Abuela” are now competing. Another Golden Shell competitor, China’s “Fire in the Plains”, is a thriller, just like “Daughter”, out of competition. “Writers no longer want to make genre films, they want to tell stories and use genres to achieve that,” says Levordinos. Genre author films are set to revolutionize Europe’s former art scene.

buzz title
The “Official Competition” was well received in Venice. There are good reviews for “Good Boss” and two first works by a woman. “As in Heaven” by Dane Tea Lindeburg is a female-focused, adult-era piece created with a modern perspective. And Romania’s Aline Grigore’s “Blue Moon” is a portrait depicting the toxic masculinity of a shady clan of modern hoteliers: sexist, authoritarian, violent, and self-pity. The topic of ‘New Directors’ is Mar Pecio’s “That Weekend”, a mother-daughter drama with a Western-style atmosphere. “Julieta’s” a prison-set romantic drama in a fantasy soap opera starring Emma Suárez, “Josephine” by Javier Marco in Spain; and “Rust,” written by Colombian Juan Sebastián Mesa, critiques the weakness and devastating aftermath of the rural economy.

Johnny Depp
When San Sebastian announced the Donostia Award for the “Pirates of the Caribbean” star, it sparked international outrage. Why win a prize for a person who lost a defamation lawsuit against the British tabloid Sun, for beating his wife? San Sebastian refuted that Depp was never arrested, charged with or convicted of sexual assault, reminding critics that he had always fought “inequality”. Now, in collaboration with (H)emen, Basque women’s association in the audiovisual sector and in the landscape arts, we will organize a festival workshop dealing with gender equality and the Depp debate. “I think there was a divide between people and groups who shared a common goal,” Levordinos said. Look forward to more gender initiatives in the future.

Movistar Plus: Raising Expectations for Movies and TV Series
The second highly anticipated San Sebastian title is not a movie, but “La Fortuna”, a six-part series produced by Movistar Plus, AMC Studios and Mod, starring Stanley Tucci and Clarke Peters “The Wire’s”. This is the first TV series of ‘The Arthur’ directed by Alejandro Amenabar. “La Fortuna”, a humorous adventure thriller that spans America and Spain, past and present, is the largest international co-production in Spanish history. The world premiere of “La Fortuna’s” San Sebastian comes weeks after Movistar Plus released photos of Alberto Rodríguez’s “Modelo 77”. Now, the key is whether Movista Plus will jump into film production with the same vitality it showed in the drama. We are definitely moving more to San Sebastian, creating the groundbreaking San Sebastian Virtual Cinema on the platform.

for business
Most of the French international industry will move into San Sebastian this year. Otherwise, it’s almost impossible. Venice Business turns the lineup. Toronto 2021 is paralyzed by travel restrictions. AFM plays online. Across Europe, producers and sales agents are desperate to sit at the same table as potential partners and customers. Much of the film business cannot be done with Zoom alone. San Sebastian is as close to Paris as Cannes, an easy train ride to the fabulous resorts. Expect significant French and continental European presence this year.

Local Heroes: Spain’s Mighty San Sebastian Presence
Fighting fears that a new subsidy system will wipe out domestic film production, San Sebastian 2021 boasts the strongest official selection Spanish film presence in years. Seven titles, four final competition categories, and an “official competition” straight from the Venice premiere.
But what’s really surprising about this year’s Spanish film lineup is the high production standards and remarkable diversity the film shares, Rebordinos says. It can be seen from competitors. Iciar Bollain’s post-Basque conflict reconciliation drama “Maixabel” is “openly political,” he says. Fernando León de Aranoa’s “The Good Boss” puts weight on work comedy, and Paco Plaza’s “La Abuela” looks much more mainstream, but is a tale of a nightmare relative. “Quien lo imide” by Jonas Trueba, a half-fiction-doctor, celebrates the vision and virtues of Madrid’s millennials.

hot ticket project
Launched in 2012, San Sebastian’s European-Latin American Co-Production Forum has quickly integrated into the festival’s industrial hub, forming the latest projects from many of Latin America’s most popular art house directors and producers. This year is no exception. Hernán Musaluppi is sponsoring Paula Hernández (“Sleepwalkers”) from Argentina, “El Viento Que Arrasa” from Storyboards from Chile, and “El Porvenir de la Mirada” from Sebastián Lelio Cristian Leighton. Brazil’s Desvia Produçoes is behind Johnny Ma’s “Chin-Gone”, “Alemania” is Tarea Fina, and “La Sucesión” is behind Pasto and Gema Films. New Argentine cinema icon Diego Dubkovsky creates “People of the Night” by Romina Pola. A strong lineup. We expect many of these titles to play at major festivals in the next few years.

Basque Talent Cultivation
There is Basque production, but Iciar Bollaín’s highly anticipated “Maixabel” is a sign of how much the Basque industry has developed over the past decade, with the news that Koldo Zuazua produced no Basque director in this year’s main competition. Top Basque Costume Kowalski Films. The strength of the Basque industry will be felt in many other ways as well. The San Sebastian ecosystem of the Festival, Tabakalera, Filmoteca Vasca and Elias Querejeta Zine Eskola is still growing. 2deoseriak, the latest high-performance drama series development lab, will be presented at the festival. Leire Apellaniz produced “Sacred Spirit”, which received high marks in Locarno. A new generation of Mikel Gurrea, Alauda Ruíz de Azúa, David Pérez Sañudo and Esti Urresola have films in the works. Public broadcaster ETB is immersed in premium fiction, yokeing Basque roots and innovations, and targeting a youth audience.

$1.9 billion in the Spanish AVS Hub
On March 24, Spanish Prime Minister Pedro Sánchez stepped up Spanish film and TV production, large foreign players set up filming and production centers in Spain. How it works is another matter. Details will be provided in a two-hour presentation at San Sebastian on September 21st. Rather, it is most likely packed. But the bigger picture is encouraging. José Nevado of Spanish producer assn said: “For the first time, audiovisual is on the agenda of the Spanish government. head. And in a big sense.





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Entertainment

Netflix Should Face Chess Great’s ‘Queens Gambit’ Litigation

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Netflix Should Face Chess Great's 'Queens Gambit' Litigation


A judge on Thursday refused to dismiss a lawsuit filed by a Georgia chess master who allegedly defamed an episode of the Netflix series “The Queen’s Gambit.”

Nona Gaprindashvili, a prominent Soviet chess player in the 1960s, sued Netflix in a federal court in September. She challenged a line in the series where Gaprindashvili falsely stated that she had “never met a man”. Gaprindashvili claimed that the line was “extremely sexist and demeaning,” noting that by 1968, the year the series began, it actually faced 59 male competitors.

Netflix tried to dismiss the lawsuit, alleging that the show was fictional and that the First Amendment gave the show’s creators a broad artistic license.

But in Thursday’s ruling, US District Judge Virginia A. Phillips disagreed with the fact that Gaprindashvili had made plausible allegations that she had defamed her. Phillips also argued that fictional works are not exempt from defamation lawsuits if they defame a real person.

“Netflix does not cite cases that exclude defamation claims depicting real people in fictional works,” Phillips wrote, “and the courts are not aware of it.” “The fact that a series is a work of fiction does not protect Netflix from liability for defamation if all elements of the defamation exist otherwise.”

‘Queen’s Gambit’ is based on the novel by Walter Tevis in 1983 and tells the story of Beth Harmon, a fictional American who became an international chess champion in the 1960s. In the final episode, set in Moscow, Harmon defeats her male rival. The chess announcer explains that her opponent underestimated him. Her only peculiarity about her is actually her sex. And it’s not just in Russia. She has Nona Gaprindashvili, but she is a women’s world champion and has never played against a man.”

Netflix relied on two chess experts to get the details right, and claimed that the show’s creators didn’t offend Gaprindashvili.

The streamer’s lawyer argued that “the reference to the plaintiff in the series is not intended to disparage her, but to acknowledge her.”

In her ruling, Phillips noted that the show’s theme had to do with breaking gender barriers. But she said the show could be seen as building on the fictitious Harmon’s achievements by ignoring the real Gaprindashvili’s.

“The average viewer would ‘disparage the achievements of the plaintiff’ of Line as plaintiff asserts.[ying] ‘The stigma that women bear the symbol of inferiority’ could be overcome by the fictional American woman Harmon, but not by the plaintiffs,” the judge wrote. “At least, that line ignores the achievements that are essential to the reputation of the plaintiff.”

Netflix relied heavily on an appeal ruling in a similar case involving actress Olivia de Havilland. In that case, de Havilland sued FX Networks for opposing her portrayal in the Ryan Murphy series “Feud”. The Court of Appeal dismissed the suit, finding that the creators had considerable artistic freedom to portray real people. The ruling was well received in the entertainment industry.

The de Havilland incident involves fictional dialogues between actors who play real people. The Court of Appeal ruled that these scenes would be understood as an adaptation rather than a transcribed script from real life. Phillips ruled that otherwise, viewers could leave the show with the false impression that Gaprindashvili had never met a man.

Netflix also states that “The Queen’s Gambit” is “characters and events depicted in this show are fictitious. It is not intended to depict real people or events.” However, the judge ruled that it was not sufficient to dispel the notion that the show was making factual claims.

“Therefore, in context, Netflix[ed] impression that [it] were asserting objective facts,’ wrote Phillips. “Plaintiff asserts sufficiently false that Line is ‘reasonably sensitive to interpretations that imply verifiable false claims of fact’.”

Netflix declined to comment on the ruling.

EDIT: This story originally portrayed Gaprindashvili as a Russian. She is from the Republic of Georgia.





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Ron Perlman doesn’t want to play Hellboy 3, but fans say he deserves it

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Ron Perlman is reluctant to do so Hellboy 3 but still fans believe the film deserves to be involved.

In 2004, Ron Perlman first created the role of Guillermo del Toro and Toruk. The film itself was well received by critics, but did not achieve great financial success. With a budget of $ 66 million, it earned less than $ 100 million worldwide. The film itself, however, got a fairly good result in home media formats, and the sequel was highlighted in green.

Read more, Hellboy 2: The Golden Army It was also well received by critics, but with a budget of $ 88 million, it was able to earn $ 168 million worldwide. It was also backed by home media sales that allowed for the proposed third payment, Hellboy 3, transition to development. Unfortunately, the film fell into a hell of a development. and remains one of the projects above the heads of Ron Perlman and Guillermo del Toro.

Although we appeared in place of the third Ron Perlman Hellboy film, we took his place Hellboy Reboot played by David Harbor. The actor himself admitted that he had never seen the film and had no interest in watching it, and it seems that most viewers and critics were with him on this. The film was criticized by critics and grossed just over $ 55 million worldwide with a budget of $ 50 million.

since Hellboy 3Both Ron Perlman and director Guillermo del Toro continued their careers. The director has won two Oscars, and Ron Perlman continues to star in several films. When talking to The IndependentPerlman admitted that he was reluctant to play the role of Hellboy again, citing his age, but still felt that he, del Toro and the studio owed it to the fans who invited the director to perform him:

“Am I eager to play Hellboy 3? No, I am 71 years old. We owe it to the fans. And that would be an epic conclusion because we have to give it to them. So, Guillermo, if you’re studying, I’m not going to beat you up to finish this scam. ”

Here is the official summary of David Harbor Hellboy:

Based on Mike Mingola’s graphic novels, Hellboy, trapped between the supernatural and the human worlds, fights an ancient wizard who is determined to take revenge.

Directed by Neil Marshall, co-written by screenwriter Mike Mingola, Andrew Cosby and Christopher Golden. Hellboy Starring David Harbor, Milla Jovovich, Ian McShane, Sasha Lane, Penelope Mitchell, Daniel De Kim.

Hellboy Now available on Digital HD, 4K Ultra HD, Blu-ray and DVD. Stay up to date with the latest news on the future of the franchise sign up for To Heroic Hollywood’s YouTube channel for original video content.

A source: The Independent



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Now how Schneider revolutionized “Danger”!

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Excellent engineering manager and now former a threat! On January 26, contestant Amy Schneider finished her first race on the show.

Schneider was the second transgender competitor to take the podium (after Kate Freeman in 2020). A 42-year-old resident of Auckland, California, shared his love of reading and amazing intelligence with people all over the country this season. a threat.

Below we will look at how he made his time special and important in detail.

His income

Schneider ended his successful series with 40 wins in a row, the most in the show’s history. She broke the previous record set by Julia Collins in 2014 and is the highest-paid woman on the show of all time. Schneider has won the second-most wins since Ken Jennings – he still has 74 wins in a row and is currently split in two. Taking on responsibilities with Maim Bialik.

Spectators at the house looked forward to seeing him win under his rule. Brain took home a total of $ 1,382,800, placing it fourth in all-time regular winnings. He is the next winner after Jennings ($ 2,520,700), followed by James Holzhauer ($ 2,462,216) and Matt Amodio ($ 1,518,601).

His Spirit

When Schneider filmed the show for the first time, he vowed to “be himself,” and won the hearts of viewers across the country.

In each episode, he shared a new, interesting fact about himself. Among them: His pre-show song is Eminem’s “Lose Yourself.” According to Schneider, he thinks about the lyrics before the competition. The heroic superstar also wore his signature pearls every night. After her first episode, the pearl that her beloved Genevieve gave her became the most important thing. According to Schneider, he wore them to commemorate the fact that Genevieve was always with him and supported him in California. Fans at home are fed up with the sensation of this quiz show and its accessories.

Jennings and Bialik congratulated Schneider on his character and skill.

Its representation and appearance

As the show’s biggest winner, a transgender champion and the first transgender participant in the Champions Tournament, Schneider has already broken many glass ceilings.

“His appearance has become a bright spot, allowing millions of people to root for his success and start talking about being transgender, while bills are being proposed in Arizona, Iowa, Indiana, Oklahoma, South Dakota and Ohio’s home state of Ohio. Transgender people are being targeted for discrimination. Now the achievements are celebrated with Jeopardy for many years! fans and LGBTQ people everywhere. said Nick Adams, director of GLAAD’s Transgender Representation, in a statement following his latest episode.

Last week, Ms. GLAAD Schneider announced that she would receive a special award at the 33rd Annual GLAAD Media Award, which honors the media for its best coverage of LGBT people and issues.

His victories on the show brought joy and a worthy representation to many people.

Schneider serves as a beacon of victory and a shining beacon, and his community is grateful.

Schneider continued to say thank you a threat! The audience and its winner congratulate Rona Talsman on her defeat.

Viewers can look forward to Schneider returning to the show at the Champions Tournament this fall.

a threatOn weekdays, check your local lists





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