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Where Can the Postponed Grammys Go When Arena Is Reserved?



Where Can the Postponed Grammys Go When Arena Is Reserved?

As the new year kicks off and Los Angeles’ COVID-19 positive tests reach their highest level since the pandemic began, Recording Academy officials were still looking for a way to keep the Grammys on hold on the show’s long-term schedule, January 1. .31 date — And it’s not hard to understand why there was resistance to the smoke. The most obvious reason is that it’s nearly impossible to reschedule a show at the Arena home before summer arrives… and there are, in fact, many reasons to exclude other LA venues as a substitute.

That’s why rumors are rampant that the Academy and CBS are considering Las Vegas as a wildcard for a Grammy transfer, as the postponement became official from Wednesday morning. It may sound unprecedented or odd, but that nuclear option makes more sense than any scenario that claims to keep the show local. Unless summer really settles down as the right time for a Grammy to dance on the streets of LA.

The Grammys haven’t announced a new date, but it will almost certainly be March, April or May. Going back to that window is to do what the Omicron Wave is trying to do and keep it going, hoping to arrive late enough in 2022 to allow for a large, direct audience that the show can’t afford without. But later than spring, the show risks making frontrunners like Olivia Rodrigo seem like a nostalgic act.

Packing and moving is fraught with contractual complications. The Recording Academy has signed a new four-year deal with Arena (formerly Staples Center), which started in 2019, and while under normal circumstances we’d see it through this year, the 2021 event eventually took place in neighboring Los Angeles. The Angeles Convention Center was probably not included in that total.

The pandemic is certainly considered a special situation, but it’s unlikely that AEG, which owns the stadium, will allow the Grammys to go to the competition venue instead of rescheduling the show to the earliest possible date on future that might be. (A representative from AEG and the academy did not respond immediately. VarietyWe ask for comments on the placement of .)

But the Arena (formerly Staples Center, just a few days ago) may be America’s busiest arena. If you look at the venue schedules for March, April, and May, you’ll notice that it’s often very dark, even one night between Lakers, Clippers and Kings games, not to mention concerts. They are as huge as the traditionally produced Grammys. The Arena appears to be running for a rare 7 days, April 24-30, but slots where the arena is publicly available for free for up to 9 days are to be seen from May 8-16. calendar.

Meanwhile, Arena 12-Day Period — January 21st – February 1st — Grammy Awards before this postponement. The stadium is closed until the Spark team finishes their season in mid-August.

How about an earlier one, like a TV broadcast from last year’s adjacent convention center? But there are few live audiences. The show featured mostly masked nominees entering and exiting an award-winning atrium, and performances were a mix of live and pre-recorded numbers held in a variety of nearby indoor and outdoor settings. Although the show received the highest acclaim in the industry and in the press, every word the public hears must have been the dreaded “collapse” and “collapse”. CBS is not eager to rerun the show to a national audience due to COVID-compromised. Don’t worry about losing millions for the second year in a row due to lack of ticket and luxury box sales.

Do other locales in LA work? The Twitter realm sounds great in theory, but I love the idea of ​​a Hollywood ball that’s hard to get started with in practice. The weather in March or April is still unpredictable, and no one wants to see a parka on the Grammy Awards red carpet. But the more important obstacle is put red carpet. There’s a reason why you can’t watch the major TV awards at the Ball. It is carved into a narrow canyon and the parking lot leaves little space for the infrastructure of a small city built around a Grammy Award.

At Banc of California Stadium, weather will also be a consideration. Built on the site of an old sports arena, the new building is underutilized and has little to no itinerary. But it is inconceivable that Arena would be willing to timeout on an exclusive deal so that the Grammys could practically give business to a hungry competitor next to it. The same goes for forums or other competing facilities like Sophie Stadium. (Honda Center? Imagine the reaction of the stars when they say they’ll be spending the night in Anaheim.)

Moving out of the larger Los Angeles area seems impossible. The show took place at different venues only twice in 20 years, from 2000 to 2020. Both times were held at Madison Square Garden in New York. On both occasions, with an arrangement that lost the academy about $5 million in 2018, even if it was possible in such a short time and remotely feasible. (For those who think this could finally be an excuse to detour to Nashville, the city’s Bridgestone Arena is also fully booked through April.)

Finally, you’ll be redirected back to Las Vegas, the most viable of all non-Los Angeles options. With good traffic, it’s almost close to LA, has enough hotel rooms for the invading forces, has the infrastructure, and has a precedent for the recording academy.

Since the Latin Grammys have been held in three different venues in 12 of the last 13 years, the organization is familiar with the city and place, and the city is practically built for mass-produced shows like the Grammys. Talent doesn’t even have to leave the building, as almost every possible location is connected to or nearby a major hotel. And just as everyone hopes to relax again about COVID-19 this spring, Nevada is the last place anyone should worry about anything that could be considered a cumbersome last-minute limit.

Most interestingly, Las Vegas is full of stadiums, some of which sit in the dark most of the night. T-Mobile Arena is the newest and most popular facility in the city, but it’s too popular to think about doing anything there before April. However, after the Golden Knights’ season finale ends at T-Mobile on April 24, the stadium remains open until Eric Church performs on May 13.

The Wild Card of Las Vegas: The 65,000-seat Allegiant Stadium with a roof and climate control. If that sounds too loud, think of the Academy of Country Music Awards televising there on March 7th. But if it sounds like the academy is biting more than it should chew in a relatively short time, the city has a spacious arena. Michelob Ultra Arena currently has roughly a month between concerts advertising the New Edition on March 19th, J Balvin on April 23rd, and New Kids on the Block on May 29th.

However, the most practical option is the 17,000-seat MGM Grand Garden Arena. It’s only been two months since the stadium hosted the Latin Grammys, so the benefits are well known to the academy. Aside from being familiar, it has the advantage of being mostly dark because a lot of traffic has been absorbed by a shiny new entity called the T-Mobile Arena. There are no public events scheduled on MGM’s website between the John Mayer concert on March 11th and Nick Cannon on June 25th, two months later.

But even if Arena is fine with deferring its Grammy contractual obligations by one more year, there is still one big dilemma to overcome. That’s what’s happening on all the accompanying shows all the way up to Music’s Biggest Night, like the Clive Davis gala and MusiCares’ tribute to Joni Mitchell. star- Stud event held by the Academy during lead-up week. Will they too move to Las Vegas, or will they take the easier route of staying in LA? Can you miss a talent that already has to leave the city?

To know for sure how one of these will play out, you’ll need an omicron battery that even the best fortune tellers in the academy can’t manage. However, while announcing the performance, the Grammy Awards did Promise that a new date is imminent… The clock is ticking. Anyone want to bet Vegas odds?

Originally reported by Source link

The featured images are, as they appear on the original report.


Netflix Should Face Chess Great’s ‘Queens Gambit’ Litigation



Netflix Should Face Chess Great's 'Queens Gambit' Litigation

A judge on Thursday refused to dismiss a lawsuit filed by a Georgia chess master who allegedly defamed an episode of the Netflix series “The Queen’s Gambit.”

Nona Gaprindashvili, a prominent Soviet chess player in the 1960s, sued Netflix in a federal court in September. She challenged a line in the series where Gaprindashvili falsely stated that she had “never met a man”. Gaprindashvili claimed that the line was “extremely sexist and demeaning,” noting that by 1968, the year the series began, it actually faced 59 male competitors.

Netflix tried to dismiss the lawsuit, alleging that the show was fictional and that the First Amendment gave the show’s creators a broad artistic license.

But in Thursday’s ruling, US District Judge Virginia A. Phillips disagreed with the fact that Gaprindashvili had made plausible allegations that she had defamed her. Phillips also argued that fictional works are not exempt from defamation lawsuits if they defame a real person.

“Netflix does not cite cases that exclude defamation claims depicting real people in fictional works,” Phillips wrote, “and the courts are not aware of it.” “The fact that a series is a work of fiction does not protect Netflix from liability for defamation if all elements of the defamation exist otherwise.”

‘Queen’s Gambit’ is based on the novel by Walter Tevis in 1983 and tells the story of Beth Harmon, a fictional American who became an international chess champion in the 1960s. In the final episode, set in Moscow, Harmon defeats her male rival. The chess announcer explains that her opponent underestimated him. Her only peculiarity about her is actually her sex. And it’s not just in Russia. She has Nona Gaprindashvili, but she is a women’s world champion and has never played against a man.”

Netflix relied on two chess experts to get the details right, and claimed that the show’s creators didn’t offend Gaprindashvili.

The streamer’s lawyer argued that “the reference to the plaintiff in the series is not intended to disparage her, but to acknowledge her.”

In her ruling, Phillips noted that the show’s theme had to do with breaking gender barriers. But she said the show could be seen as building on the fictitious Harmon’s achievements by ignoring the real Gaprindashvili’s.

“The average viewer would ‘disparage the achievements of the plaintiff’ of Line as plaintiff asserts.[ying] ‘The stigma that women bear the symbol of inferiority’ could be overcome by the fictional American woman Harmon, but not by the plaintiffs,” the judge wrote. “At least, that line ignores the achievements that are essential to the reputation of the plaintiff.”

Netflix relied heavily on an appeal ruling in a similar case involving actress Olivia de Havilland. In that case, de Havilland sued FX Networks for opposing her portrayal in the Ryan Murphy series “Feud”. The Court of Appeal dismissed the suit, finding that the creators had considerable artistic freedom to portray real people. The ruling was well received in the entertainment industry.

The de Havilland incident involves fictional dialogues between actors who play real people. The Court of Appeal ruled that these scenes would be understood as an adaptation rather than a transcribed script from real life. Phillips ruled that otherwise, viewers could leave the show with the false impression that Gaprindashvili had never met a man.

Netflix also states that “The Queen’s Gambit” is “characters and events depicted in this show are fictitious. It is not intended to depict real people or events.” However, the judge ruled that it was not sufficient to dispel the notion that the show was making factual claims.

“Therefore, in context, Netflix[ed] impression that [it] were asserting objective facts,’ wrote Phillips. “Plaintiff asserts sufficiently false that Line is ‘reasonably sensitive to interpretations that imply verifiable false claims of fact’.”

Netflix declined to comment on the ruling.

EDIT: This story originally portrayed Gaprindashvili as a Russian. She is from the Republic of Georgia.

Originally reported by Source link

The featured images are, as they appear on the original report.

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Ron Perlman doesn’t want to play Hellboy 3, but fans say he deserves it



Ron Perlman is reluctant to do so Hellboy 3 but still fans believe the film deserves to be involved.

In 2004, Ron Perlman first created the role of Guillermo del Toro and Toruk. The film itself was well received by critics, but did not achieve great financial success. With a budget of $ 66 million, it earned less than $ 100 million worldwide. The film itself, however, got a fairly good result in home media formats, and the sequel was highlighted in green.

Read more, Hellboy 2: The Golden Army It was also well received by critics, but with a budget of $ 88 million, it was able to earn $ 168 million worldwide. It was also backed by home media sales that allowed for the proposed third payment, Hellboy 3, transition to development. Unfortunately, the film fell into a hell of a development. and remains one of the projects above the heads of Ron Perlman and Guillermo del Toro.

Although we appeared in place of the third Ron Perlman Hellboy film, we took his place Hellboy Reboot played by David Harbor. The actor himself admitted that he had never seen the film and had no interest in watching it, and it seems that most viewers and critics were with him on this. The film was criticized by critics and grossed just over $ 55 million worldwide with a budget of $ 50 million.

since Hellboy 3Both Ron Perlman and director Guillermo del Toro continued their careers. The director has won two Oscars, and Ron Perlman continues to star in several films. When talking to The IndependentPerlman admitted that he was reluctant to play the role of Hellboy again, citing his age, but still felt that he, del Toro and the studio owed it to the fans who invited the director to perform him:

“Am I eager to play Hellboy 3? No, I am 71 years old. We owe it to the fans. And that would be an epic conclusion because we have to give it to them. So, Guillermo, if you’re studying, I’m not going to beat you up to finish this scam. ”

Here is the official summary of David Harbor Hellboy:

Based on Mike Mingola’s graphic novels, Hellboy, trapped between the supernatural and the human worlds, fights an ancient wizard who is determined to take revenge.

Directed by Neil Marshall, co-written by screenwriter Mike Mingola, Andrew Cosby and Christopher Golden. Hellboy Starring David Harbor, Milla Jovovich, Ian McShane, Sasha Lane, Penelope Mitchell, Daniel De Kim.

Hellboy Now available on Digital HD, 4K Ultra HD, Blu-ray and DVD. Stay up to date with the latest news on the future of the franchise sign up for To Heroic Hollywood’s YouTube channel for original video content.

A source: The Independent

Originally reported by Source link

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Now how Schneider revolutionized “Danger”!



Excellent engineering manager and now former a threat! On January 26, contestant Amy Schneider finished her first race on the show.

Schneider was the second transgender competitor to take the podium (after Kate Freeman in 2020). A 42-year-old resident of Auckland, California, shared his love of reading and amazing intelligence with people all over the country this season. a threat.

Below we will look at how he made his time special and important in detail.

His income

Schneider ended his successful series with 40 wins in a row, the most in the show’s history. She broke the previous record set by Julia Collins in 2014 and is the highest-paid woman on the show of all time. Schneider has won the second-most wins since Ken Jennings – he still has 74 wins in a row and is currently split in two. Taking on responsibilities with Maim Bialik.

Spectators at the house looked forward to seeing him win under his rule. Brain took home a total of $ 1,382,800, placing it fourth in all-time regular winnings. He is the next winner after Jennings ($ 2,520,700), followed by James Holzhauer ($ 2,462,216) and Matt Amodio ($ 1,518,601).

His Spirit

When Schneider filmed the show for the first time, he vowed to “be himself,” and won the hearts of viewers across the country.

In each episode, he shared a new, interesting fact about himself. Among them: His pre-show song is Eminem’s “Lose Yourself.” According to Schneider, he thinks about the lyrics before the competition. The heroic superstar also wore his signature pearls every night. After her first episode, the pearl that her beloved Genevieve gave her became the most important thing. According to Schneider, he wore them to commemorate the fact that Genevieve was always with him and supported him in California. Fans at home are fed up with the sensation of this quiz show and its accessories.

Jennings and Bialik congratulated Schneider on his character and skill.

Its representation and appearance

As the show’s biggest winner, a transgender champion and the first transgender participant in the Champions Tournament, Schneider has already broken many glass ceilings.

“His appearance has become a bright spot, allowing millions of people to root for his success and start talking about being transgender, while bills are being proposed in Arizona, Iowa, Indiana, Oklahoma, South Dakota and Ohio’s home state of Ohio. Transgender people are being targeted for discrimination. Now the achievements are celebrated with Jeopardy for many years! fans and LGBTQ people everywhere. said Nick Adams, director of GLAAD’s Transgender Representation, in a statement following his latest episode.

Last week, Ms. GLAAD Schneider announced that she would receive a special award at the 33rd Annual GLAAD Media Award, which honors the media for its best coverage of LGBT people and issues.

His victories on the show brought joy and a worthy representation to many people.

Schneider serves as a beacon of victory and a shining beacon, and his community is grateful.

Schneider continued to say thank you a threat! The audience and its winner congratulate Rona Talsman on her defeat.

Viewers can look forward to Schneider returning to the show at the Champions Tournament this fall.

a threatOn weekdays, check your local lists

Originally reported by Source link

The featured images are, as they appear on the original report.

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